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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

Josef grinned. “What are you going to do—call the police?”

They could not do that. They were engaged in an illegal transaction. And the police would probably arrest Dimka and Natalya but not Josef and Max, who were undoubtedly paying bribes to protect their business.

“There’s nothing we can do,” Natalya said. “Let’s go.”

Josef said: “Take your tape recorder.”

“No, thanks,” Natalya said. “It’s not what I want.” She went to the door.

Dimka said. “We’re coming back—for the money.”

Josef laughed. “What are you going to do?”

“You’ll see,” Dimka said weakly, and he followed Natalya out.

He was seething with frustration as Natalya drove back to the Kremlin. “I’m going to get your money back,” he said to her.

“Please don’t,” she said. “Those men are dangerous. I don’t want you to get hurt. Just leave it.”

He was not going to leave it, but he said no more.

When he got to his office, the KGB file on Vasili Yenkov was on his desk.

It was not thick. Yenkov was a script editor who had never been in trouble nor even under suspicion until the day in May 1961 when he had been arrested carrying five copies of a subversive news sheet called Dissidence. Under interrogation he claimed he had been handed a dozen copies a few minutes earlier and had begun to pass them out under a sudden impulse of compassion for the opera singer who had pneumonia. A thorough search of his apartment had revealed nothing to contradict his story. His typewriter did not match the one used to produce the newsletter. With electrical terminals attached to his lips and his fingertips, he had given the names of other subversives, but innocent and guilty people alike did that under torture. As was usual, some of the people named had been impeccable Communist Party members, while others the KGB had failed to trace. On balance, the secret police were inclined to believe Yenkov was not the illegal publisher of Dissidence.

Dimka had to admire the grit of a man who could maintain a lie under KGB interrogation. Yenkov had protected Tanya even while suffering agonizing torture. Perhaps he deserved his freedom.

Dimka knew the truth that Yenkov had kept hidden. On the night of Yenkov’s arrest, Dimka had driven Tanya on his motorcycle to Yenkov’s apartment, where she had picked up a typewriter, undoubtedly the machine used to produce Dissidence. Dimka had hurled it into the Moskva River half an hour later. Typewriters did not float. He and Tanya had saved Yenkov from a longer sentence.

Yenkov was no longer at the logging camp in the larch forest, according to the file. Someone had discovered that he had a little technical expertise. His first job at Radio Moscow had been studio production assistant, so he knew about microphones and electrical connections. The shortage of technicians in Siberia was so chronic that this had been enough to get him a job as an electrician in a power station.