Contents ( 98)
- Contents
- CAST OF CHARACTERS
- PART ONE
- WALL
- 1961
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- PART TWO
- BUG
- 1961–1962
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- PART THREE
- ISLAND
- 1962
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- PART FOUR
- GUN
- 1963
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- PART FIVE
- SONG
- 1963–1967
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- CHAPTER THIRTY-FOUR
- CHAPTER THIRTY-FIVE
- CHAPTER THIRTY-SIX
- CHAPTER THIRTY-SEVEN
- CHAPTER THIRTY-EIGHT
- CHAPTER THIRTY-NINE
- CHAPTER FORTY
- PART SIX
- FLOWER
- 1968
- CHAPTER FORTY-ONE
- CHAPTER FORTY-TWO
- CHAPTER FORTY-THREE
- CHAPTER FORTY-FOUR
- CHAPTER FORTY-FIVE
- PART SEVEN
- TAPE
- 1972–1974
- CHAPTER FORTY-SIX
- CHAPTER FORTY-SEVEN
- CHAPTER FORTY-EIGHT
- CHAPTER FORTY-NINE
- CHAPTER FIFTY
- PART EIGHT
- YARD
- 1976–1983
- CHAPTER FIFTY-ONE
- CHAPTER FIFTY-TWO
- CHAPTER FIFTY-THREE
- CHAPTER FIFTY-FOUR
- PART NINE
- BOMB
- 1984–1987
- CHAPTER FIFTY-FIVE
- CHAPTER FIFTY-SIX
- CHAPTER FIFTY-SEVEN
- CHAPTER FIFTY-EIGHT
- PART TEN
- WALL
- 1988–1989
- CHAPTER FIFTY-NINE
- CHAPTER SIXTY
- CHAPTER SIXTY-ONE
- CHAPTER SIXTY-TWO
- EPILOGUE
- November 4, 2008
- CHAPTER SIXTY-THREE
- ACKNOWLEDGMENTS
Josef grinned. “What are you going to do—call the police?”
They could not do that. They were engaged in an illegal transaction. And the police would probably arrest Dimka and Natalya but not Josef and Max, who were undoubtedly paying bribes to protect their business.
“There’s nothing we can do,” Natalya said. “Let’s go.”
Josef said: “Take your tape recorder.”
“No, thanks,” Natalya said. “It’s not what I want.” She went to the door.
Dimka said. “We’re coming back—for the money.”
Josef laughed. “What are you going to do?”
“You’ll see,” Dimka said weakly, and he followed Natalya out.
He was seething with frustration as Natalya drove back to the Kremlin. “I’m going to get your money back,” he said to her.
“Please don’t,” she said. “Those men are dangerous. I don’t want you to get hurt. Just leave it.”
He was not going to leave it, but he said no more.
When he got to his office, the KGB file on Vasili Yenkov was on his desk.
It was not thick. Yenkov was a script editor who had never been in trouble nor even under suspicion until the day in May 1961 when he had been arrested carrying five copies of a subversive news sheet called Dissidence. Under interrogation he claimed he had been handed a dozen copies a few minutes earlier and had begun to pass them out under a sudden impulse of compassion for the opera singer who had pneumonia. A thorough search of his apartment had revealed nothing to contradict his story. His typewriter did not match the one used to produce the newsletter. With electrical terminals attached to his lips and his fingertips, he had given the names of other subversives, but innocent and guilty people alike did that under torture. As was usual, some of the people named had been impeccable Communist Party members, while others the KGB had failed to trace. On balance, the secret police were inclined to believe Yenkov was not the illegal publisher of Dissidence.
Dimka had to admire the grit of a man who could maintain a lie under KGB interrogation. Yenkov had protected Tanya even while suffering agonizing torture. Perhaps he deserved his freedom.
Dimka knew the truth that Yenkov had kept hidden. On the night of Yenkov’s arrest, Dimka had driven Tanya on his motorcycle to Yenkov’s apartment, where she had picked up a typewriter, undoubtedly the machine used to produce Dissidence. Dimka had hurled it into the Moskva River half an hour later. Typewriters did not float. He and Tanya had saved Yenkov from a longer sentence.
Yenkov was no longer at the logging camp in the larch forest, according to the file. Someone had discovered that he had a little technical expertise. His first job at Radio Moscow had been studio production assistant, so he knew about microphones and electrical connections. The shortage of technicians in Siberia was so chronic that this had been enough to get him a job as an electrician in a power station.