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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

But he did.

When he woke up in the morning, she was gone.

• • •

On that Saturday morning Maria Summers went to work in a pessimistic mood.

While Martin Luther King had been in jail in Alabama, the Commission on Civil Rights had produced a horrifying report on abuse of Negroes in Mississippi. But the Kennedy administration had cleverly undermined the report. A Justice Department lawyer called Burke Marshall had written a memo quibbling with its findings; Maria’s boss, Pierre Salinger, had portrayed its proposals as extremist; and the American press had been fooled.

And the man Maria loved was in charge. President Kennedy had a good heart, she believed, but his eye was always on the next election. He had done well in last year’s midterms: his coolheaded handling of the Cuban missile crisis had won him popularity, and the expected Republican landslide had been averted. But now he was worrying about his reelection contest next year. He did not like Southern segregationists, but he was not willing to sacrifice himself in the battle against them.

So the civil rights campaign was fizzling out.

Maria’s brother had four children of whom she was very fond. They, and any children Maria herself might have in the future, were going to grow up to be second-class Americans. If they traveled in the South they would have trouble finding a hotel willing to take them in. If they went to a white church they would be turned away, unless the pastor considered himself a liberal and directed them to a special roped-off seating area for Negroes. They would see a sign saying WHITES ONLY outside public toilets, and a sign directing COLOREDS to a bucket in the backyard. They would ask why there were no black people on television, and their parents would not know how to answer them.

Then she reached the office and saw the newspapers.

On the front page of The New York Times was a photograph from Birmingham that made Maria gasp with horror. It showed a white policeman with a savage German shepherd dog. The dog was biting a harmless-looking Negro teenager while the cop held the boy by his cardigan sweater. The cop’s teeth were bared in a grin of eager malice, as if he wanted to bite someone too.

Nelly Fordham heard Maria’s gasp and looked up from The Washington Post. “Ugly, ain’t it,” she commented.

The same picture was on the front of many other American newspapers, and the airmail editions of foreign papers too.

Maria sat at her desk and began to read. The tone had altered, she noticed with a gleam of hope. It was no longer possible for the press to point the finger of blame at Martin Luther King and say that his campaign was ill timed and Negroes should be patient. The story had changed, with the unstoppable chemistry of media coverage, a mysterious process that Maria had learned to respect and fear.

Her excitement grew as she began to suspect that the white Southerners had gone too far. The press were now talking about violence against children on the streets of America. They still quoted men who said it was all the fault of King and his agitators, but the segregationists’ customary tone of confident deprecation had gone, and now there was a note of desperate denial. Was it possible that one photograph could change everything?