Cameron had studied Hamlet conscientiously—the way he studied everything, in order to get good marks—and he knew that Ophelia was a notoriously difficult part. Supposedly pathetic, she could easily become comic, with her obscene songs. How was a fifteen-year-old going to play this role and carry an audience with her? Cameron did not want to see her fall on her face (although there was, in the back of his mind, a little fantasy in which he put his arms around her delicate shoulders and comforted her as she wept for her humiliating failure).

With his parents and his kid sister, Beep, he filed into the school hall, which doubled as the gym, so that it smelled equally of dusty hymn books and sweaty sneakers. They took their seats next to the Williams family: Lloyd Williams, the Labour M.P.; his American wife, Daisy; Eth Leckwith, the grandmother; and Jasper Murray, the lodger. Young Dave, Evie’s kid brother, was somewhere else, organizing an intermission bar.

Several times in the past few months Cameron had heard the story of how his mother and father had first met here in London, during the war, at a party given by Daisy. Papa had walked Mama home: when he told the story, a strange light came into his eye, and Mama gave him a look that said Shut the hell up right now, and he said no more. Cameron and Beep wondered pruriently what their parents had done on the walk home.

A few days later Papa had parachuted into Normandy, and Mama had thought she would never see him again; but all the same she had broken off her engagement to another man. “My mother was furious,” Mama said. “She never forgave me.”

Cameron found the school hall seats uncomfortable even for the half hour of morning assembly. Tonight was going to be purgatory. He knew all too well that the full play was five hours long. Evie had assured him that this was a shortened version. Cameron wondered how short.

He spoke to Jasper, sitting next to him. “What’s Evie going to wear for the mad scene?”

“I don’t know,” said Jasper. “She won’t tell anyone.”

The lights went down and the curtain rose on the battlements of Elsinore.

The painted backdrops that formed the scenery were Cameron’s work. He had a strong visual sense, presumably inherited from his father, the photographer. He was particularly pleased with the way the painted moon concealed a spotlight that picked out the sentry.

There was not much else to like. Every school play Cameron had ever seen had been dreadful, and this was no exception. The seventeen-year-old boy playing Hamlet tried to seem enigmatic but succeeded only in being wooden. However, Evie was something else.

In her first scene Ophelia had little to do other than listen to her condescending brother and her pompous father, until at the end she cautioned her brother against hypocrisy in a short speech that Evie delivered with waspish delight. But in her second scene, telling her father about Hamlet’s crazy invasion of her private room, she blossomed. At the start she was frantic, then she became calmer, quieter, and more concentrated, until it seemed the audience hardly dared to breathe while she said: “He raised a sigh so piteous and profound.” And then, in her next scene, when the enraged Hamlet raved at her about joining a nunnery, she seemed so bewildered and hurt that Cameron wanted to leap onstage and punch him out. Jeremy Faulkner had wisely decided to end the first half at that point, and the applause was tremendous.