Chapters (113)
- Title Page
- Copyright Page
- Introduction
- A BOY’S WILL
- INTO MY OWN
- GHOST HOUSE
- MY NOVEMBER GUEST
- LOVE AND A QUESTION
- A LATE WALK
- STARS
- STORM FEAR
- WIND AND WINDOW FLOWER
- TO THE THAWING WIND
- A PRAYER IN SPRING
- FLOWER-GATHERING
- ROSE POGONIAS
- ASKING FOR ROSES
- WAITING
- IN A VALE
- A DREAM PANG
- IN NEGLECT
- THE VANTAGE POINT
- MOWING
- GOING FOR WATER
- REVELATION
- THE TRIAL BY EXISTENCE
- IN EQUAL SACRIFICE
- THE TUFT OF FLOWERS
- SPOILS OF THE DEAD
- PAN WITH US
- THE DEMIURGE’S LAUGH
- Now CLOSE THE WINDOWS
- A LINE—STORM SONG
- OCTOBER
- MY BUTTERFLY
- RELUCTANCE
- NORTH OF BOSTON
- THE PASTURE
- MENDING WALL
- THE DEATH OF THE HIRED MAN
- THE MOUNTAIN
- A HUNDRED COLLARS
- HOME BURIAL
- THE BLACK COTTAGE
- BLUEBERRIES
- A SERVANT TO SERVANTS
- AFTER APPLE-PICKING
- THE CODE
- THE GENERATIONS OF MEN
- THE HOUSEKEEPER
- THE FEAR
- THE SELF—SEEKER
- THE WOOD-PILE
- GOOD HOURS
- MOUNTAIN INTERVAL
- THE ROAD NOT TAKEN
- CHRISTMAS TREES
- AN OLD MAN’S WINTER NIGHT
- A PATCH OF OLD SNOW
- IN THE HOME STRETCH
- THE TELEPHONE
- MEETING AND PASSING
- HYLA BROOK
- THE OVEN BIRD
- BOND AND FREE
- BIRCHES
- PEA BRUSH
- PUTTING IN THE SEED
- A TIME TO TALK
- THE COW IN APPLE TIME
- AN ENCOUNTER
- RANGE-FINDING
- LONELINESS
- THE BONFIRE
- A GIRL’S GARDEN
- THE EXPOSED NEST
- “OUT, OUT——”
- BROWN’S DESCENT
- THE GUM-GATHERER
- THE LINE-GANG
- THE VANISHING RED
- SNOW
- THE SOUND OF THE TREES
- POEMS TO 1922 (LATER PUBLISHED IN NEW HAMPSHIRE)
- A STAR IN A STONE-BOAT
- THE CENSUS-TAKER
- MAPLE
- THE AX-HELVE
- THE GRINDSTONE
- PAUL’S WIFE
- WILD GRAPES
- PLACE FOR A THIRD
- I
- FIRE AND ICE
- DUST OF SNOW
- To E. T.
- THE AIM WAS SONG
- FOR ONCE, THEN, SOMETHING
- BLUE-BUTTERFLY DAY
- THE ONSET
- GOOD-BY AND KEEP COLD
- NOT TO KEEP
- A BROOK IN THE CITY
- EVENING IN A SUGAR ORCHARD
- THE VALLEY’S SINGING DAY
- MISGIVING
- A HILLSIDE THAW
- PLOWMEN
- ON A TREE FALLEN ACROSS THE ROAD
- THE LOCKLESS DOOR
- THE NEED OF BEING VERSED IN COUNTRY THINGS
- EXPLANATORY NOTES
- INDEX OF TITLES AND FIRST LINES
The analogy between the bedroom and the graveyard has inspired much interpretation. Is he clumsy or deliberately and cruelly reminding her of her place in relation to his purposes? Is there a suggestion here about sexual frigidity or a reminder of how this represents his family portrait? Amy had heard her husband say while he was digging the child’s grave, “ ‘Three foggy mornings and one rainy day/Will rot the best birch fence a man can build.’ ” She assumes he merely speaks of “everyday concerns.” But the tone with which he said it could transform it into a muted and powerful, if not terrifying, metaphor for both his dead child and his marriage—a barrier against the future and against the moral authority of his wife. Amy’s grief is not a mystery but a weapon, a possession, and a barrier she builds while reducing her husband to being crude and subhuman. In retaliation he seems to grant her superiority while simultaneously pointing to her inhumanity: “ ‘Tell me about it if it’s something human./Let me into your grief ” Frost’s quest is to understand in the chaotic and threatening worlds in and outside the home what it means to be human.