Back Early Poems
Chapters (113)
  1. Title Page
  2. Copyright Page
  3. Introduction
  4. A BOY’S WILL
  5. INTO MY OWN
  6. GHOST HOUSE
  7. MY NOVEMBER GUEST
  8. LOVE AND A QUESTION
  9. A LATE WALK
  10. STARS
  11. STORM FEAR
  12. WIND AND WINDOW FLOWER
  13. TO THE THAWING WIND
  14. A PRAYER IN SPRING
  15. FLOWER-GATHERING
  16. ROSE POGONIAS
  17. ASKING FOR ROSES
  18. WAITING
  19. IN A VALE
  20. A DREAM PANG
  21. IN NEGLECT
  22. THE VANTAGE POINT
  23. MOWING
  24. GOING FOR WATER
  25. REVELATION
  26. THE TRIAL BY EXISTENCE
  27. IN EQUAL SACRIFICE
  28. THE TUFT OF FLOWERS
  29. SPOILS OF THE DEAD
  30. PAN WITH US
  31. THE DEMIURGE’S LAUGH
  32. Now CLOSE THE WINDOWS
  33. A LINE—STORM SONG
  34. OCTOBER
  35. MY BUTTERFLY
  36. RELUCTANCE
  37. NORTH OF BOSTON
  38. THE PASTURE
  39. MENDING WALL
  40. THE DEATH OF THE HIRED MAN
  41. THE MOUNTAIN
  42. A HUNDRED COLLARS
  43. HOME BURIAL
  44. THE BLACK COTTAGE
  45. BLUEBERRIES
  46. A SERVANT TO SERVANTS
  47. AFTER APPLE-PICKING
  48. THE CODE
  49. THE GENERATIONS OF MEN
  50. THE HOUSEKEEPER
  51. THE FEAR
  52. THE SELF—SEEKER
  53. THE WOOD-PILE
  54. GOOD HOURS
  55. MOUNTAIN INTERVAL
  56. THE ROAD NOT TAKEN
  57. CHRISTMAS TREES
  58. AN OLD MAN’S WINTER NIGHT
  59. A PATCH OF OLD SNOW
  60. IN THE HOME STRETCH
  61. THE TELEPHONE
  62. MEETING AND PASSING
  63. HYLA BROOK
  64. THE OVEN BIRD
  65. BOND AND FREE
  66. BIRCHES
  67. PEA BRUSH
  68. PUTTING IN THE SEED
  69. A TIME TO TALK
  70. THE COW IN APPLE TIME
  71. AN ENCOUNTER
  72. RANGE-FINDING
  73. LONELINESS
  74. THE BONFIRE
  75. A GIRL’S GARDEN
  76. THE EXPOSED NEST
  77. “OUT, OUT——”
  78. BROWN’S DESCENT
  79. THE GUM-GATHERER
  80. THE LINE-GANG
  81. THE VANISHING RED
  82. SNOW
  83. THE SOUND OF THE TREES
  84. POEMS TO 1922 (LATER PUBLISHED IN NEW HAMPSHIRE)
  85. A STAR IN A STONE-BOAT
  86. THE CENSUS-TAKER
  87. MAPLE
  88. THE AX-HELVE
  89. THE GRINDSTONE
  90. PAUL’S WIFE
  91. WILD GRAPES
  92. PLACE FOR A THIRD
  93. I
  94. FIRE AND ICE
  95. DUST OF SNOW
  96. To E. T.
  97. THE AIM WAS SONG
  98. FOR ONCE, THEN, SOMETHING
  99. BLUE-BUTTERFLY DAY
  100. THE ONSET
  101. GOOD-BY AND KEEP COLD
  102. NOT TO KEEP
  103. A BROOK IN THE CITY
  104. EVENING IN A SUGAR ORCHARD
  105. THE VALLEY’S SINGING DAY
  106. MISGIVING
  107. A HILLSIDE THAW
  108. PLOWMEN
  109. ON A TREE FALLEN ACROSS THE ROAD
  110. THE LOCKLESS DOOR
  111. THE NEED OF BEING VERSED IN COUNTRY THINGS
  112. EXPLANATORY NOTES
  113. INDEX OF TITLES AND FIRST LINES

“Yes, I suppose you’ll want to, but I shouldn’t.
He knows what he can do, or he wouldn’t try.
Get into bed I say, and get some rest.
He won’t come back, and if he telephones,
It won’t be for an hour or two.”

“Well then.

We can’t be any help by sitting here
And living his fight through with him, I suppose.”

Cole had been telephoning in the dark.
Mrs. Cole’s voice came from an inner room:
“Did she call you or you call her?”

“She me.

You’d better dress: you won’t go back to bed.
We must have been asleep: it’s three and after.”

“Had she been ringing long? I’ll get my wrapper.
I want to speak to her.”

“All she said was,

He hadn’t come and had he really started.”

“She knew he had, poor thing, two hours ago.”

“He had the shovel. He’ll have made a fight.”

“Why did I ever let him leave this house!”

“Don’t begin that. You did the best you could
To keep him—though perhaps you didn’t quite
Conceal a wish to see him show the spunk
To disobey you. Much his wife’ll thank you.”

“Fred, after all I said! You shan’t make out
That it was any way but what it was.
Did she let on by any word she said
She didn’t thank me?”

“When I told her ‘Gone,’

‘Well then,’ she said, and ‘Well then’—like a threat.
And then her voice came scraping slow: ‘Oh, you,
Why did you let him go’?”

“Asked why we let him?

You let me there. I’ll ask her why she let him.
She didn’t dare to speak when he was here.
Their number’s—twenty-one? The thing won’t work.
Someone’s receiver’s down. The handle stumbles.

The stubborn thing, the way it jars your arm!
It’s theirs. She’s dropped it from her hand and gone.”

“Try speaking. Say ‘Hello’!”

“Hello. Hello.”

“What do you hear?”

“I hear an empty room—

You know—it sounds that way. And yes, I hear—
I think I hear a clock—and windows rattling.
No step though. If she’s there she’s sitting down.”

“Shout, she may hear you.”

“Shouting is no good.”

“Keep speaking then.”

“Hello. Hello. Hello.

You don’t suppose—? She wouldn’t go out doors?”

“I’m half afraid that’s just what she might do.”

“And leave the children?”

“Wait and call again.

You can’t hear whether she has left the door
Wide open and the wind’s blown out the lamp
And the fire’s died and the room’s dark and cold?”

“One of two things, either she’s gone to bed
Or gone out doors.”

“In which case both are lost.

Do you know what she’s like? Have you ever met her?
It’s strange she doesn’t want to speak to us.”