Chapters (113)
- Title Page
- Copyright Page
- Introduction
- A BOY’S WILL
- INTO MY OWN
- GHOST HOUSE
- MY NOVEMBER GUEST
- LOVE AND A QUESTION
- A LATE WALK
- STARS
- STORM FEAR
- WIND AND WINDOW FLOWER
- TO THE THAWING WIND
- A PRAYER IN SPRING
- FLOWER-GATHERING
- ROSE POGONIAS
- ASKING FOR ROSES
- WAITING
- IN A VALE
- A DREAM PANG
- IN NEGLECT
- THE VANTAGE POINT
- MOWING
- GOING FOR WATER
- REVELATION
- THE TRIAL BY EXISTENCE
- IN EQUAL SACRIFICE
- THE TUFT OF FLOWERS
- SPOILS OF THE DEAD
- PAN WITH US
- THE DEMIURGE’S LAUGH
- Now CLOSE THE WINDOWS
- A LINE—STORM SONG
- OCTOBER
- MY BUTTERFLY
- RELUCTANCE
- NORTH OF BOSTON
- THE PASTURE
- MENDING WALL
- THE DEATH OF THE HIRED MAN
- THE MOUNTAIN
- A HUNDRED COLLARS
- HOME BURIAL
- THE BLACK COTTAGE
- BLUEBERRIES
- A SERVANT TO SERVANTS
- AFTER APPLE-PICKING
- THE CODE
- THE GENERATIONS OF MEN
- THE HOUSEKEEPER
- THE FEAR
- THE SELF—SEEKER
- THE WOOD-PILE
- GOOD HOURS
- MOUNTAIN INTERVAL
- THE ROAD NOT TAKEN
- CHRISTMAS TREES
- AN OLD MAN’S WINTER NIGHT
- A PATCH OF OLD SNOW
- IN THE HOME STRETCH
- THE TELEPHONE
- MEETING AND PASSING
- HYLA BROOK
- THE OVEN BIRD
- BOND AND FREE
- BIRCHES
- PEA BRUSH
- PUTTING IN THE SEED
- A TIME TO TALK
- THE COW IN APPLE TIME
- AN ENCOUNTER
- RANGE-FINDING
- LONELINESS
- THE BONFIRE
- A GIRL’S GARDEN
- THE EXPOSED NEST
- “OUT, OUT——”
- BROWN’S DESCENT
- THE GUM-GATHERER
- THE LINE-GANG
- THE VANISHING RED
- SNOW
- THE SOUND OF THE TREES
- POEMS TO 1922 (LATER PUBLISHED IN NEW HAMPSHIRE)
- A STAR IN A STONE-BOAT
- THE CENSUS-TAKER
- MAPLE
- THE AX-HELVE
- THE GRINDSTONE
- PAUL’S WIFE
- WILD GRAPES
- PLACE FOR A THIRD
- I
- FIRE AND ICE
- DUST OF SNOW
- To E. T.
- THE AIM WAS SONG
- FOR ONCE, THEN, SOMETHING
- BLUE-BUTTERFLY DAY
- THE ONSET
- GOOD-BY AND KEEP COLD
- NOT TO KEEP
- A BROOK IN THE CITY
- EVENING IN A SUGAR ORCHARD
- THE VALLEY’S SINGING DAY
- MISGIVING
- A HILLSIDE THAW
- PLOWMEN
- ON A TREE FALLEN ACROSS THE ROAD
- THE LOCKLESS DOOR
- THE NEED OF BEING VERSED IN COUNTRY THINGS
- EXPLANATORY NOTES
- INDEX OF TITLES AND FIRST LINES
“She should, shouldn’t she, you’re so many times
Over descended from her. I believe
She does look like you. Stay the way you are.
The nose is just the same, and so’s the chin—
Making allowance, making due allowance.”
“You poor, dear, great, great, great, great Granny!”
“See that you get her greatness right. Don’t stint her.”
“Yes, it’s important, though you think it isn’t.
I won’t be teased. But see how wet I am.”
“Yes, you must go; we can’t stay here for ever.
But wait until I give you a hand up.
A bead of silver water more or less
Strung on your hair won’t hurt your summer looks.
I wanted to try something with the noise
That the brook raises in the empty valley.
We have seen visions—now consult the voices.
Something I must have learned riding in trains
When I was young. I used the roar
To set the voices speaking out of it,
Speaking or singing, and the band-music playing.
Perhaps you have the art of what I mean.
I’ve never listened in among the sounds
That a brook makes in such a wild descent.
It ought to give a purer oracle.”
“It’s as you throw a picture on a screen:
The meaning of it all is out of you;
The voices give you what you wish to hear.”
“Strangely, it’s anything they wish to give.”
“Then I don’t know. It must be strange enough.
I wonder if it’s not your make-believe.
What do you think you’re like to hear to-day?”
“From the sense of our having been together—
But why take time for what I’m like to hear?
I’ll tell you what the voices really say.
You will do very well right where you are
A little longer. I mustn’t feel too hurried,
Or I can’t give myself to hear the voices.”
“Is this some trance you are withdrawing into?”
“You must be very still; you mustn’t talk.”
“I’ll hardly breathe.”
“The voices seem to say———”
“I’m waiting.”
“Don’t! The voices seem to say:
Call her Nausicaa, the unafraid
Of an acquaintance made adventurously.”
“I let you say that—on consideration.”
“I don’t see very well how you can help it.
You want the truth. I speak but by the voices.
You see they know I haven’t had your name,
Though what a name should matter between us———”
“I shall suspect———”
“Be good. The voices say:
Call her Nausicaa,21 and take a timber
That you shall find lies in the cellar charred
Among the raspberries, and hew and shape it
For a door-sill or other corner piece
In a new cottage on the ancient spot.
The life is not yet all gone out of it.
And come and make your summer dwelling here,
And perhaps she will come, still unafraid,
And sit before you in the open door