Chapters (24)
- Title Page
- Copyright Notice
- Dedication
- Epigraph
- Part I: Jack and Jill Live Up the Hill
- 1. The Dangerous Allure of Other People’s Children
- 2. Practically Perfect in Virtually No Ways
- 3. They Grow Up So Fast
- Part II: Jill and Jack Into the Black
- 4. To Market, To Market, To Buy a Fat Hen
- 5. The Roles We Choose Ourselves
- 6. The First Night of Safety
- 7. To Fetch a Pail of Water
- Part III: Jack and Jill with Time to Kill
- 8. The Skies to Shake, the Stones to Bleed
- 9. Someone’s Coming to Dinner
- Part IV: Jill and Jack Will Not Come Back
- 10. And From Her Grave, a Red, Red Rose …
- 11. … and From His Grave, A Briar
- 12. Everything You Never Wanted
- 13. A Thousand Miles of Hardship Between Here and Home
- Also by Seanan McGuire
- About the Author
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Look at them, growing up, growing into the new shapes that have been offered to them, growing into girls their parents would not recognize, would turn their noses up at. Look at them finding themselves in this wind-racked place, where even the moon is not always safe to look upon.
Look at them in their solitary beds, in their solitary lives, growing further and further apart from one another, unable to entirely let go. Look at the girl in the gossamer gowns standing on the battlements, yearning for a glimpse of her sister; look at the girl in the dirty apron sitting atop the windmill, looking toward the distant walls of the town. They have so much, and so little, in common.
Someone with sharp enough eyes might see the instant where one wounded heart begins to rot while the other starts to heal. Time marches on.
There are moments in the years that we are skipping over, moments that are stories in and of themselves. Jack and Jill begin their menses on the same day (a word that comes from the village women and from Mary, who came from a different time, and Jack finds it charming in its antiquity, and Jill finds it terrifying in its strangeness). Jack packs her underpants with rags and begins trying to find a better way. It is unsafe, on the Moors, to smell of blood. Dr. Bleak calls the village women to help her. They bring their old clothes and their sewing needles; she rampages through his herbs and simples, testing chemical combinations until she strikes upon the right one. Together, she and the village women make something stronger and safer, which holds the smell of blood from prying noses. It keeps them safe when they have cause to venture out of their homes. It keeps monsters and the Master from noticing them.
They learn to love her, at least a little, on that day.
While all this is happening, Jill sinks deeper and deeper into her perfumed baths, bleeding into the water, emerging only to eat plates of chopped beef and spinach, her head spinning with the strangeness of it all. And when her period passes, the Master comes to her, and finally shows her his teeth, which she has been dreaming of for so long. He talks to her all night, almost until the sunrise, making sure that she’s comfortable, making sure she understands.