Chapters (24)
- Title Page
- Copyright Notice
- Dedication
- Epigraph
- Part I: Jack and Jill Live Up the Hill
- 1. The Dangerous Allure of Other People’s Children
- 2. Practically Perfect in Virtually No Ways
- 3. They Grow Up So Fast
- Part II: Jill and Jack Into the Black
- 4. To Market, To Market, To Buy a Fat Hen
- 5. The Roles We Choose Ourselves
- 6. The First Night of Safety
- 7. To Fetch a Pail of Water
- Part III: Jack and Jill with Time to Kill
- 8. The Skies to Shake, the Stones to Bleed
- 9. Someone’s Coming to Dinner
- Part IV: Jill and Jack Will Not Come Back
- 10. And From Her Grave, a Red, Red Rose …
- 11. … and From His Grave, A Briar
- 12. Everything You Never Wanted
- 13. A Thousand Miles of Hardship Between Here and Home
- Also by Seanan McGuire
- About the Author
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THE SKIES TO SHAKE, THE STONES TO BLEED
IT WOULD BECOME QUICKLY dull, recounting every moment, every hour the two girls spent, one in the castle and one in the windmill, one in riches and one in artfully mended rags: it would become quickly dull, and so it shall not be our focus, for we are not here for dullness, are we? No. We are here for a story, whether it be wild adventure or cautionary tale, and we do not have the time to waste on mundane things. And yet.
And yet.
And yet look to the castle on the bluffs, the castle near to the sea, which sits atop a crumbling cliff in the belly of the lowlands. Look to the castle where the golden-haired girl walks the battlements at dusk and dawn in her dresses like dreams, with her throat concealed from prying eyes, with the wind tying beautiful knots in the long curtain of her hair. She waxes and wanes like the moon, now pale as milk, now healthy and pink as any village girl. There are those in the village below who whisper that she is the Master’s daughter, sired on a princess from a far-away land and finally returned to her father when he howled her name to the western winds.
(There are those in the village who whisper darker things, who speak of disappearing children and lips stained red as roses. She is not a vampire yet, they say, and “yet” is such a powerful, unforgiving word that there is no questioning its truth, and no hiding from its promises.)
And yet look to the windmill in the hills, the windmill on the Moors, which stands higher than anything around it, inviting lightning, tempting disaster. Look to the windmill where the golden-haired girl works in the soil at all hours of the day and night, with her hands protected from the soil by heavy leather gloves and from everything else by gloves of the finest suede. She toils without cease, burns her sleeves on smoking machinery, strains her eyes peering into the finest workings of the universe. There are those in the village near the cliffs who smile to see her coming, dogging at the doctor’s heels, her shoes becoming sturdier and more sensible with every passing season. She is learning, they say; she is finding her way.
(There are those in the village who whisper darker things, who point out the similarities between her and the Master’s daughter, who recognize that a single body can only contain so much blood, can only take so much damage. She is not called to service yet, but when the Master and Dr. Bleak clash, there is never any question of the winner.)