Chapters (116)
- Cover
- Title Page
- Dedication
- Epigraph
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Acknowledgments
- Discover More
- On Henry Darger
- Selected Bibliography
- About the Author
- Teaser Chapter
- Also by Elizabeth Hand
- Praise for Elizabeth Hand’sCurious Toys
“This book contains a rare kind of perfection: Elizabeth Hand’s rough, observant magic draws into its circle great historical accuracy, a cross-dressing central protagonist, a wonderfully tender portrait of the great outsider artist Henry Darger, a vibrant thriller plot, reflections on gender and its place in civic order, a helpful Ben Hecht, and one of the greatest climactic drop-the-mic moments I’ve ever read—and does all this while patiently setting into place the warm emotional armatures that make Curious Toys so moving.”
—Peter Straub, International Horror
Guild Living Legend
“Elizabeth Hand crafts a story that is, to borrow her own phrasing late in Curious Toys, ‘gruesome but peculiar,’ a fun-house mirror of a novel filled with Chicago history and detail. Dark and thrilling.”
—Lori Rader-Day, Edgar Award–nominated
author of Under a Dark Sky
“Breathless…A whip-smart thriller…Hand is a genre-hopping master of dark suspense…She has crafted Curious Toys as a tense, short-chaptered contemporary thriller, the kind where you might think ‘I’ll read just two more pages’ and then catch yourself having gulped down twenty…Yet the frisson of surprise insights is as reliable a pleasure here as the suspense plotting.”
—Alan Scherstuhl, Chicago Review of Books
“Glittering and scruffy as its carnival setting, with the deep gravity hold of a roller coaster.”
—Lauren Beukes, author of The Shining Girls and Afterland
“When great artists meet—in this case Henry Darger and Elizabeth Hand—extraordinary things happen. For years Elizabeth Hand has been the supreme writer’s writer, an inside secret among those in the know. With Curious Toys, Hand confirms her place as one of the great writers of our era. This book is exactly what you want to read—absorbing, intelligent, bold. As the author says, only a girl would be so brave.”
—Sara Gran, author of The Infinite Blacktop
and Claire DeWitt and the City of the Dead
“This atmospheric novel will transport you to a world you’ve never imagined before.”
—Real Simple
“Curious Toys is an utterly compelling read with a sleuth who will win your heart. This is one mystery you won’t want to miss.”
—Ellen Hart, Mystery Writers of America Grand Master
and author of the Jane Lawless mysteries
“I’ve long admired Elizabeth Hand for her ability to write in whatever genre pleases her, be it noir, fantasy, or science fiction. With Curious Toys she goes further, spinning a wild, expansive, and bravura tale of carnival life, dead and missing girls, identity shifts, and big dreams transformed into awful nightmares. I loved this book.”
—Sarah Weinman, Anthony Award–nominated
author of The Real Lolita
“Within the bustle and color and people, real and imagined, is a classic mystery, carefully plotted and executed.”
—John Crowley, Boston Review
“An immersive, inventive historical mystery, led by a distinctly modern, queer heroine. I loved this story!”
—Kristen Lepionka, Shamus Award–winning
author of The Last Place You Look
“A well-crafted and deliciously unsettling period thriller.”
—Booklist (starred review)