Chapters (116)
- Cover
- Title Page
- Dedication
- Epigraph
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Acknowledgments
- Discover More
- On Henry Darger
- Selected Bibliography
- About the Author
- Teaser Chapter
- Also by Elizabeth Hand
- Praise for Elizabeth Hand’sCurious Toys
He walked away and she hurried after him, holding out the magazine. He smacked it from her hands, then pushed her so she fell onto the dusty gravel. “And don’t you follow me, you little fink. I see you again, I’ll put your lights out.”
Chapter 36
Chapter 36
THE PORTER BROUGHT him the newspapers after they’d left Kansas City.
“Like you asked, Mr. Chaplin.” The porter opened the door to the private compartment and handed him the Chicago Tribune. “I know you wanted the New York papers, but we can’t get them out here.”
Chaplin tucked the newspaper under his arm and nodded, counted out enough coins to cover the cost, and dropped them into the man’s hand. The porter remained as he was, smiling. Of course, he was expecting a tip.
Instead Chaplin gifted him with a huge grin and a half bow, pretending to doff a hat. The porter laughed as Chaplin swiftly closed the door. The man would dine out on that for much longer than he would a dime.
The train had left Chicago late that morning, a good thing as otherwise he might have missed it. It always took him longer to pack his suitcase than he anticipated. His breakfast tray had been delivered as requested. A poached egg, toast and butter, bacon, half a grapefruit. He didn’t care for grapefruit but couldn’t forgo the novelty.
And orange juice! The bacon was crisp American bacon, not very nice. He peeled the bits of fat from it and left the rest. The coffee had cooled, but he didn’t mind that. Coffee was also a novelty.
He settled in his chair, picked up his coffee cup and a piece of cold toast, and scanned the headlines. For the last few weeks, the Eastland ship disaster had supplanted the European war in the papers. The vast tourist steamer had capsized at its dock on the Chicago River, killing eight hundred forty-four of its twenty-five hundred passengers. More than were lost on the Lusitania back in May, and more passengers than had died on the Titanic.
But now, that tragedy was no longer front-page stuff. Unlike the sinking of the Lusitania, it couldn’t be used as military propaganda. He read of several failed British military ventures in the Ottoman Empire and turned the page.
His gaze fell upon a photograph of a young man, his cheek pressed against that of a pretty little girl in a long-waisted dress patterned with embroidered daisies, a large bow atop her curls.
For Charlie Chaplin, Nothing Amiss with This Miss
The popular moving picture actor made a surprise appearance at Essanay Studios in Chicago, where he made a new friend. Pretty Miss Maria Walewski, twelve years old, is an aspiring thespian. “I hope Maria might work with me someday,” Chaplin said. She will make her first appearance in a new Sweedie comedy starring comic Wallace Beery.