Chapters (116)
- Cover
- Title Page
- Dedication
- Epigraph
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Acknowledgments
- Discover More
- On Henry Darger
- Selected Bibliography
- About the Author
- Teaser Chapter
- Also by Elizabeth Hand
- Praise for Elizabeth Hand’sCurious Toys
“While Hand paces her mystery with classic precision, the real reward of Curious Toys lies in its richly textured panorama of Chicago during a crucial period of change, and in its vivid characters. Riverview, of course, is legendary among older Chicagoans, and Hand presents it not as a generic carnival-murder setting, but as a kind of distorting mirror of cultural anxieties, many of which are still with us today…As for Darger, Hand maintains a sensitive balance between what little we know of him and what she needs to invent for her novel…How Darger finally affects Pin, and how she affects him, leads to a moving and thought-provoking conclusion.”
—Gary K. Wolfe, Chicago Tribune
“Compelling for its smart, streetwise, complicated protagonist, teenage Pin—and for the careful and vivid evocation of Pin’s Chicago circa 1915, with all of its sordid glories.”
—Arkady Martine, National Public Radio
“Hand beautifully captures the era in this historical novel alongside the landscape of Chicago and its neighborhoods and slums…The world Hand creates is more than just a backdrop for a crime. The locations act as a character. When Pin discovers the body of a young girl killed inside a boat ride—aptly named the Hell Gate—the carnival architecture functions like a participant in the violence…One of Hand’s remarkable abilities is the deftness with which she creates dynamic and unique voices for each point-of-view character, helping the reader track multiple storylines throughout a complex tale. Equally important, in the midst of it all, Hand fashions a darn good mystery.”
—Elena Hartwell, New York Journal of Books
“While its plot involves a serial killer in the Chicago summer of 1915, the latest novel from genre-crossing master storyteller Elizabeth Hand journeys from thriller territory straight into the heart of horror. One crucial early sequence finds the child protagonist Pin—a young woman passing as a boy—searching for a missing girl in the brackish water of an amusement park’s pitch-black ‘Hell Gate’ boat ride. Complete with pop-up undead, a costumed devil, the screams of the damned, and passengers trying to squeeze in some quickie sex, Hand’s old-timey tunnel of love proves a richly layered study of horror and sin and fantasy and reality, all in a peculiarly American vein. And it’s scary as hell.”
—Amy Brady, Chicago Review of Books
“Curious Toys is wonderful! I stayed up late two nights in a row, transported. It will be catnip for readers who love Chicago, circuses, cross-dressers, and early cinema.”
—Audrey Niffenegger, author of The Time Traveler’s Wife