Chapters (147)
- Welcome
- Dedication
- Prologue
- FINDERS, KEEPERS
- One
- Two
- Book One
- SHOOTER READY
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Book Two
- FOXES IN THE HENHOUSE
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Book Three
- MULTIPLICITY
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Book Four
- FINAL TARGET, FINAL STRATEGIES
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Chapter 105
- Chapter 106
- Chapter 107
- Chapter 108
- Chapter 109
- Chapter 110
- Chapter 111
- Chapter 112
- Chapter 113
- Chapter 114
- Chapter 115
- Epilogue
- SUMMER
- Chapter 116
- Chapter 117
- WITCH & WIZARD
- Whit
- Whit
- Wisty
- Table of Contents
- About the Author
- Books by James Patterson
- FEATURING ALEX CROSS
- THE WOMEN’S MURDER CLUB
- FEATURING MICHAEL BENNETT
- FOR READERS OF ALL AGES
- OTHER BOOKS
- Copyright
- Front Cover Image
My next call was to Sampson, to share the news, such as it was.
“Don’t worry, sugar, we’re just getting started,” he told me. “Maybe this print didn’t even come from our guy. That crime scene was crawling with our people the other night — and you can bet not everyone was wearing gloves.”
“Yeah,” I said, but a different possibility had already wormed its way to the front of my mind. “John, what if it is the shooter’s print, and he wanted us to find it? Maybe it gets him off, knowing we’re going to waste our time chasing it down —”
“Oh man, no. No, no, no.” Sampson knew just where I was headed.
“And maybe that gives him exactly the confidence he’s looking for — when it comes time to do it all over again.”
Chapter 16
I WAS THERE for Bree outside of Penn Branch when she got off that afternoon. I couldn’t wait to see her, and when she finally came out of the building, it brought a big smile to my face.
“This is a nice surprise,” she said, and gave me a kiss. We’d stopped trying to draw a line around that stuff at work anymore. “To what do I owe the pleasure? This is a treat.”
“No questions,” I said, and opened the car door for her. “I want to show you something.”
I’d been planning this for a while now, and even though work was starting to pile up again, I was too stubborn to give up on my scheme. I drove us along North Capitol Street, over to Michigan, and then to the edge of the Catholic University campus, where I parked.
“Um, Alex?” Bree looked out the windshield — and almost straight up. “When we talked about a small wedding, I think I should have been a little more specific.”
The Basilica of the National Shrine of the Immaculate Conception is one of the ten biggest churches in the world and, for my money, the most beautiful in Washington, maybe in the whole country.
“Not to worry,” I told her. “We’re just passing through. Come on.”
“Okay, Alex. I guess.”
The Romanesque-Byzantine architecture inside those walls is almost overwhelming, but it’s unbelievably peaceful in there, too. The soaring arches make you feel tiny, while the million little gold mosaic tiles in the artwork fill every corner with a kind of amber light I’ve never seen anywhere else.
I took Bree’s hand and walked her up one of the side aisles, through the transept, and into the wide area at the back. It’s enclosed from behind with a row of arched stained-glass windows, and open to the whole length of the cathedral at the front.
“Bree, can I see your ring?” I asked her.
“My ring?”
She smiled, a little puzzled, but gave it to me anyway. Then I got down on one knee, and I took her hand again.