Chapters (147)
- Welcome
- Dedication
- Prologue
- FINDERS, KEEPERS
- One
- Two
- Book One
- SHOOTER READY
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Book Two
- FOXES IN THE HENHOUSE
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Book Three
- MULTIPLICITY
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Book Four
- FINAL TARGET, FINAL STRATEGIES
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Chapter 105
- Chapter 106
- Chapter 107
- Chapter 108
- Chapter 109
- Chapter 110
- Chapter 111
- Chapter 112
- Chapter 113
- Chapter 114
- Chapter 115
- Epilogue
- SUMMER
- Chapter 116
- Chapter 117
- WITCH & WIZARD
- Whit
- Whit
- Wisty
- Table of Contents
- About the Author
- Books by James Patterson
- FEATURING ALEX CROSS
- THE WOMEN’S MURDER CLUB
- FEATURING MICHAEL BENNETT
- FOR READERS OF ALL AGES
- OTHER BOOKS
- Copyright
- Front Cover Image
“You need to get out of the city. We’ve got too much exposure here. Take Mitch and go somewhere discreet — West Virginia, or whatever you think is best.”
“Just like that? What am I supposed to tell Mitch?” Denny said. “He’s already asking too many questions.”
“I’m sure you’ll think of something to handle him. And take this.” Zachary handed over a silver Nokia phone, presumably encrypted. “Keep it off, but check it at least every six hours. And be ready to go when we tell you.”
“Just out of curiosity,” Denny said, “what’s this ‘we’ shit anyway? Do you even know who you’re working for?”
Zachary reached across and opened the door to the sidewalk for him. They were done here.
“This one’s your big payout, Denny,” he said. “Don’t blow it. Don’t make any more mistakes either.”
Chapter 84
FOR THE SECOND DAY of canvassing at homeless shelters, I did what I already should have and pulled in more of my team, including Sampson. I even called in that favor with Max Siegel, to see if he could spare any warm bodies.
Max surprised me by showing up himself, along with two eager young assistants. We split up the list and agreed to come together at the end of the day to check out mealtime and evening sign-in at one of the larger facilities.
At five o’clock that afternoon, we were all at Lindholm Family Services when they opened their doors for dinner. The shelter served more than a thousand meals a day, to a clientele that was everything you might expect, and some things you might not.
There were families with kids, and people who talked to themselves, and folks who looked like they just came from an office somewhere, all eating shoulder to shoulder at long cafeteria tables.
For the first hour or so, it was a frustrating repeat of the day before. None of the people who were willing to talk to me recognized Mitch’s picture or the old file photo I’d pulled of Steven Hennessey, aka Denny. And some people wouldn’t talk to the police at all.
One guy in particular seemed to be in his own world. He was sitting at the end of a table, turned away from everyone else, with his tray balanced on the corner. He mumbled to himself as I came over.
“Mind if I talk to you for a second?” I said.
His lips stopped moving, but he didn’t look up, so I held the picture down low where he could see it.
“We’re trying to get a message to this guy, Mitch Talley. There’s been a death in the family he needs to know about.”
This is the kind of half-truth you have to be comfortable with to get things done sometimes. We were all in street clothes today, too. Jackets and ties can be counterproductive in a place like this.