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Contents (19)
  1. Così
  2. Louis Nowra
  3. Table of Contents
  4. Playwright’s Biography
  5. FIRST PRODUCTION
  6. CHARACTERS
  7. SETTING
  8. PLAYWRIGHT’S NOTE: TRIAL BY MADMEN
  9. ACT ONE
  10. SCENE ONE
  11. SCENE TWO
  12. SCENE THREE
  13. SCENE FOUR
  14. ACT TWO
  15. SCENE ONE
  16. SCENE TWO
  17. SCENE THREE
  18. SCENE FOUR
  19. SCENE FIVE

LEWIS: Of course.

JULIE: I’d like that. But not when my girlfriend’s here. She gets terribly jealous. [Kissing him on the cheek] Au revoir.

CHERRY: [entering, she sees the kiss] Hey, slut! [She takes out her pocket knife.] I’m going to fix you once and for all!

LEWIS: Cherry…

CHERRY: [advancing on JULIE] Don’t try to talk me out of killing her, Lewis, I’m going to do womankind a favour.

LEWIS jumps in between CHERRY and JULIE.

LEWIS: Cherry—

He grabs her in an embrace and kisses her passionately. The fingers holding the knife gradually loosen and the knife falls to the floor.

CHERRY: [dazed] Wow…

LEWIS bends down and picks up the pocket knife and puts it in his pocket.

A keepsake, eh?

LEWIS: Yes.

CHERRY: Sorry, my emotions got the better of me. Will you tell Roy to get a hurry on? Ruth is driving us mad out there with her counting. She’s up to two thousand stars already.

JULIE walks past CHERRY on the way out.

JULIE: [referring to LEWIS] He’s the best lay I’ve ever had. [She holds out her hands to indicate a huge cock size.] It’s gi-normous.

She goes laughing.

CHERRY: You two didn’t?

LEWIS: She was only joking. [Ruefully] Teasing you.

CHERRY: Good, because I would have had to kill you or her otherwise. Love letter in the post tomorrow, lover.

ROY enters wearing a crimson smoking jacket and smoking a cigarette with a cigarette holder.

Hurry up.

ROY: Be there in a mo, darling.

CHERRY goes.

Well, Jerry, we did it.

LEWIS: Certainly did. Though I hear you had your doubts. Justin said you complained about my direction.

ROY: You do have a few teething problems with your direction. I made up a list of them.

He gives a list to LEWIS.

I know that you can take criticism because you must get a lot of it.

LEWIS: [reading the list] ‘Always use the word please and thank you when addressing the cattle, after all, they’re not actors.’

ROY: Got it back to front. Bit of a rush. You know what I mean, anyway. Read it at home. It’s rather comprehensive and it could be an instructive couple of hours.

LEWIS: Thank you, Roy.

ROY: Pleasure. Back to D ward. I noticed some of the wildest applause come from the D ward section tonight. I expect a surprise party for me. I’ll act surprised. Should I be wildly surprised, like this? [Demonstrating] Or be so astonished that I’m stunned?

LEWIS: Stunned.

ROY: I might do the opposite. The reasons for me not taking your advice are on that list. [Shaking his hand] Next year, a greater triumph awaits us, Jerry. The Don!

LEWIS: The Don?

ROY: Don Giovanni. Time for me to go beyond these ensemble pieces, time for a lead role. Humility can limit you. I was once a ladykiller in my time. [Whispering] Literally.

He laughs. He goes out trying out his wildly enthusiastic expressions of surprise.

For me?! Oh, you boys of D ward, what a bunch of hijinks guys you are. [He stops,] Jerry, turn off the lights on your way out.