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Contents ( 19)
  1. Così
  2. Louis Nowra
  3. Table of Contents
  4. Playwright’s Biography
  5. FIRST PRODUCTION
  6. CHARACTERS
  7. SETTING
  8. PLAYWRIGHT’S NOTE: TRIAL BY MADMEN
  9. ACT ONE
  10. SCENE ONE
  11. SCENE TWO
  12. SCENE THREE
  13. SCENE FOUR
  14. ACT TWO
  15. SCENE ONE
  16. SCENE TWO
  17. SCENE THREE
  18. SCENE FOUR
  19. SCENE FIVE

CHERRY and RUTH enter.

CHERRY: The stars are here.

ROY: You’re not the stars, the one he’s poking is the star.

LEWIS is angry with ROY but says nothing. CHERRY is annoyed to see JULIE with LEWIS.

LEWIS: You heard about Doug?

CHERRY: He blames you for everything. Apparently he keeps on saying over and over ‘Once I get out of C ward I’m going to kill that bastard’.

LEWIS gives a nervous laugh.

And he will too.

ROY: Look on the bright side, Jerry. For killing an actor he’d get life, for killing a director he’d get eternal gratitude.

CHERRY: [handing her flick-knife to LEWIS] If he escapes and comes after you, have this for protection.

LEWIS: [giving it back] Put it away, Cherry, I don’t need it.

CHERRY: [putting it back in her handbag] It’s your funeral.

LEWIS: [to everyone] What’s happening is this—I can’t get anyone to play Doug’s role, so we’ll have to do another play.

RUTH: Can’t.

LEWIS: Why not?

RUTH: Learnt my lines. I’m word perfect. Go on, test me.

LEWIS: I’m sure you are.

RUTH: You don’t believe me?

LEWIS: I do.

RUTH: No, you don’t. I can tell.

LEWIS: Ruth, I’ve got other things on my mind—

RUTH: Any place, any time. I know what I’m doing and everyone else. Test me. The scene where the two men are leaving and we think they’re going to war. Julie and I say, ‘Alas, what do I hear?’ They’re going,’ she says. Henry says, ‘At once’. And I go… [taking three steps, to herself] one, two, three… ‘Is there any way of stopping them?’

LEWIS: That’s fine, Ruth, I never doubted you—

RUTH: [continuing] And Henry says—if we can get him to talk—‘None’. Maybe he can shake his head. Once, twice. How many times do people shake their heads for a no answer?

LEWIS: Ruth, that’s wonderful, but—

RUTH: Three.

She shakes her head three times.

ROY: [to CHERRY] He’s testy because he didn’t get a poke!

RUTH: Then Julie says, ‘Not a single farewell’, and Henry says a few lines, while I… [she takes five steps] one, two, three, four, five—

LEWIS: [loudly] Ruth!

ROY: Someone give him a poke!

RUTH: And I turn and say, ‘Where are they?’

LEWIS: [exasperated] Ruth, please.

ROY: He’s as tense as a ram waiting to be put in the ewe paddock.

LEWIS: [calming himself] Sorry, Ruth, I’m a bit tense. Losing Doug has thrown things a bit haywire.

RUTH: Even though I can do it, you hate me.

LEWIS: I don’t.

ROY: [to RUTH] A workman always blames his tool.

LEWIS: Roy!

ROY: Get the ewe!

LEWIS: All right, let’s all calm down.

ROY: Said the captain to the passengers of the Titanic.

LEWIS: Roy, please—

CHERRY: Is the other play you want us to do that religious play?

LEWIS: Religious?

CHERRY: The Exceptional Ruler.

LEWIS: It’s by a German playwright and it’s called The Exception—

ROY’s face is illuminated by a brilliant idea, or so he thinks.