Chapters (166)
- Title Page
- Dedication
- Epigraph
- PROLOGUE
- THE ARGOS
- Konstance
- ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- Seymour
- Zeno
- TWO
- CONSTANTINOPLE
- Anna
- A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- THREE
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- FOUR
- THE ARGOS
- Konstance
- FIVE
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- Zeno
- SIX
- CONSTANTINOPLE
- Anna
- THE ROAD TO EDIRNE
- Omeir
- Anna
- SEVEN
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EIGHT
- THE ROAD TO CONSTANTINOPLE
- Omeir
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- NINE
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- Zeno
- Seymour
- Konstance
- TEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- ELEVEN
- CONSTANTINOPLE
- Omeir
- Anna
- Omeir
- TWELVE
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- THIRTEEN
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- Anna
- FOURTEEN
- THE ARGOS
- Konstance
- LONDON
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- FIFTEEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- SIXTEEN
- FOUR MILES WEST OF CONSTANTINOPLE
- Anna
- SEVENTEEN
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- EIGHTEEN
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- NINETEEN
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- TWENTY
- EIGHT MILES WEST OF CONSTANTINOPLE
- Omeir
- TWENTY-ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- THE ARGOS
- Konstance
- TWENTY-TWO
- IDAHO STATE CORRECTIONAL INSTITUTION
- Seymour
- TWENTY-THREE
- NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Anna
- THAT SAME RAVINE
- Omeir
- TWENTY-FOUR
- BOISE, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EPILOGUE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- QAANAAQ
- Konstance
- Author’s Note
- Acknowledgments
- A Scribner Reading Group Guide
- More from the Author
- About the Author
- ALSO BY ANTHONY DOERR
At midday the crowd is parted to either side of the field. He and Maher climb a tree at the edge of the testing ground so they can see over the assembled heads. A parade of shorn sheep painted red and white and ornamented with rings are driven toward the platform, followed by a hundred riders riding bareback on black horses, followed by slaves reenacting salient episodes of the sultan’s life. Maher whispers that somewhere at the end of the procession must be the sovereign himself, may God bless and greet him, but Omeir can see only attendants and banners and musicians with cymbals and a drum so large that it takes a boy on either side to strike it.
The bite of Grandfather’s saw, the ever-present cud-chewing of the cattle, and the nickering of the goat and the panting of dogs and the burbling of the creek and the singing of starlings and the scurryings of mice—a month ago he would have said the ravine at home overflowed with sound. But all of that was silence compared to this: hammers, bells, shouts, trumpets, the groaning of ropes, the whinnying of horses—the noise is an assault.
In the afternoon buglers blow six bright notes and everyone looks to the great polished implement where it gleams on its platform. A man in a red cap crawls inside and disappears entirely and a second man crawls in behind with a sheet of sheepskin, and someone at the foot of the tree says that they must be packing powder into place, though what this means the boy cannot guess. The two men crawl out and next comes a huge piece of granite chiseled and polished into a sphere; a crew of nine rolls it to the front of the barrel and tips it inside.
The heavy, eerie rasp it makes as it rolls slowly down the inclined barrel carries all the way to Omeir over the gathered heads. An imam leads a prayer, and cymbals clash and trumpets blow, and along the top of the apparatus the first man, the one in the red cap, packs what looks like dried grass into a hole in the back, touches a lit taper to the grass, then leaps off the platform.
The onlookers go quiet. The sun swings imperceptibly lower, and a chill falls across the field. Once, Maher says, in his home village, a stranger appeared on a hilltop and claimed he would fly. All day a crowd gathered, he says, and every now and then the man would announce, “Soon I will fly,” and would point out various places in the distance he would fly to, and he walked around stretching and shaking his arms. When the crowd had grown large, so large that not everyone could see, and the sun was nearly down, the man, not knowing what to do, pulled down his pants and showed everybody his ass.