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Chapters (166)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. THE ARGOS
  6. Konstance
  7. ONE
  8. THE LAKEPORT PUBLIC LIBRARY
  9. Zeno
  10. Seymour
  11. Zeno
  12. Seymour
  13. Zeno
  14. TWO
  15. CONSTANTINOPLE
  16. Anna
  17. A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  18. Omeir
  19. Anna
  20. Omeir
  21. Anna
  22. Omeir
  23. THREE
  24. LAKEPORT, IDAHO
  25. Zeno
  26. LAKEPORT, IDAHO
  27. Seymour
  28. Zeno
  29. Seymour
  30. FOUR
  31. THE ARGOS
  32. Konstance
  33. FIVE
  34. THE LAKEPORT PUBLIC LIBRARY
  35. Seymour
  36. Zeno
  37. Seymour
  38. Zeno
  39. SIX
  40. CONSTANTINOPLE
  41. Anna
  42. THE ROAD TO EDIRNE
  43. Omeir
  44. Anna
  45. SEVEN
  46. KOREA
  47. Zeno
  48. LAKEPORT, IDAHO
  49. Seymour
  50. THE ARGOS
  51. Konstance
  52. EIGHT
  53. THE ROAD TO CONSTANTINOPLE
  54. Omeir
  55. CONSTANTINOPLE
  56. Anna
  57. Omeir
  58. Anna
  59. NINE
  60. KOREA
  61. Zeno
  62. LAKEPORT, IDAHO
  63. Seymour
  64. THE ARGOS
  65. Konstance
  66. Zeno
  67. Seymour
  68. Konstance
  69. TEN
  70. THE LAKEPORT PUBLIC LIBRARY
  71. Seymour
  72. Zeno
  73. Seymour
  74. ELEVEN
  75. CONSTANTINOPLE
  76. Omeir
  77. Anna
  78. Omeir
  79. TWELVE
  80. THE ARGOS
  81. Konstance
  82. LAKEPORT, IDAHO
  83. Zeno
  84. LAKEPORT, IDAHO
  85. Seymour
  86. THE ARGOS
  87. Konstance
  88. THIRTEEN
  89. CONSTANTINOPLE
  90. Anna
  91. Omeir
  92. Anna
  93. Omeir
  94. Anna
  95. Omeir
  96. Anna
  97. FOURTEEN
  98. THE ARGOS
  99. Konstance
  100. LONDON
  101. Zeno
  102. LAKEPORT, IDAHO
  103. Seymour
  104. THE ARGOS
  105. Konstance
  106. FIFTEEN
  107. THE LAKEPORT PUBLIC LIBRARY
  108. Seymour
  109. Zeno
  110. Seymour
  111. SIXTEEN
  112. FOUR MILES WEST OF CONSTANTINOPLE
  113. Anna
  114. SEVENTEEN
  115. LAKEPORT, IDAHO
  116. Zeno
  117. THE ARGOS
  118. Konstance
  119. LAKEPORT, IDAHO
  120. Zeno
  121. EIGHTEEN
  122. THE ARGOS
  123. Konstance
  124. LAKEPORT, IDAHO
  125. Zeno
  126. THE ARGOS
  127. Konstance
  128. NINETEEN
  129. LAKEPORT, IDAHO
  130. Seymour
  131. Zeno
  132. Seymour
  133. TWENTY
  134. EIGHT MILES WEST OF CONSTANTINOPLE
  135. Omeir
  136. TWENTY-ONE
  137. THE LAKEPORT PUBLIC LIBRARY
  138. Zeno
  139. Seymour
  140. Zeno
  141. THE ARGOS
  142. Konstance
  143. TWENTY-TWO
  144. IDAHO STATE CORRECTIONAL INSTITUTION
  145. Seymour
  146. TWENTY-THREE
  147. NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  148. Anna
  149. THAT SAME RAVINE
  150. Omeir
  151. TWENTY-FOUR
  152. BOISE, IDAHO
  153. Seymour
  154. THE ARGOS
  155. Konstance
  156. EPILOGUE
  157. THE LAKEPORT PUBLIC LIBRARY
  158. Zeno
  159. QAANAAQ
  160. Konstance
  161. Author’s Note
  162. Acknowledgments
  163. A Scribner Reading Group Guide
  164. More from the Author
  165. About the Author
  166. ALSO BY ANTHONY DOERR

Because of the loss of multiple folios, how Aethon escapes his post at the miller’s wheel remains unclear. In some versions of the ass tale, the donkey is sold to a cult of traveling priests. Translation by Zeno Ninis.

… always farther north, the brutes drove me, until the land turned white. The houses were built from the bones of wild griffins, and it was so cold that when the hairy wildmen who lived there spoke, their words froze and their companions would have to wait for spring to hear what had been said.

My hooves, my skull, my very marrow stung with the chill, and I often thought of home, which in my memory no longer seemed a muddy backwater but a paradise, where bees hummed and cattle trotted happily in the fields and my fellow shepherds and I drank wine at sunset beneath the gaze of the evening star.

One night—for in that place the nights lasted forty days—the men built a great fire, and danced, working themselves into a trance, and I chewed free of my rope. I wandered alone through the starry darkness for weeks until I reached the place where nature came to an end.

The sky was black as the Stygian crypt, and on the Ocean great blue vessels of ice sailed to and fro, and I thought I could see slippery creatures with massive eyes swim back and forth through the sluggish water. I prayed to be transformed into a bird, a brave eagle or a bright strong owl, but the gods stayed silent. Hoof by hoof I paced the frozen shore, the cold moonlight on my back, and still I hoped…

KOREA

1952–1953

Zeno

In winter stalagmites of frozen urine reach up out of the latrines. The river freezes, the Chinese heat fewer bunkhouses, and the Americans and Brits are merged. Blewitt grumbles that they’re already packed tighter than two coats of paint, but Zeno feels excitement as the British prisoners shuffle in. He and Rex meet each other’s gaze, and soon their straw mats are next to each other, up against the wall, and every morning he wakes with the promise of finding Rex on the floor an arm’s reach away, and the knowledge that there’s nowhere else for either of them to go.

Each day, as they climb the frozen hills, cutting, collecting, and carrying brush for firewood, Rex produces a new lesson like a gift.

Γράφω, gráphō, to scratch, draw, scrape, or write: the root of calligraphy, geography, photography.

Φωνή, phōnḗ, sound, voice, language: the root of symphony, saxophone, microphone, megaphone, telephone.

Θεός, theós: a god.

“Boil the words you already know down to their bones,” Rex says, “and usually you find the ancients sitting there at the bottom of the pot, staring back up.”