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Chapters (166)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. THE ARGOS
  6. Konstance
  7. ONE
  8. THE LAKEPORT PUBLIC LIBRARY
  9. Zeno
  10. Seymour
  11. Zeno
  12. Seymour
  13. Zeno
  14. TWO
  15. CONSTANTINOPLE
  16. Anna
  17. A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  18. Omeir
  19. Anna
  20. Omeir
  21. Anna
  22. Omeir
  23. THREE
  24. LAKEPORT, IDAHO
  25. Zeno
  26. LAKEPORT, IDAHO
  27. Seymour
  28. Zeno
  29. Seymour
  30. FOUR
  31. THE ARGOS
  32. Konstance
  33. FIVE
  34. THE LAKEPORT PUBLIC LIBRARY
  35. Seymour
  36. Zeno
  37. Seymour
  38. Zeno
  39. SIX
  40. CONSTANTINOPLE
  41. Anna
  42. THE ROAD TO EDIRNE
  43. Omeir
  44. Anna
  45. SEVEN
  46. KOREA
  47. Zeno
  48. LAKEPORT, IDAHO
  49. Seymour
  50. THE ARGOS
  51. Konstance
  52. EIGHT
  53. THE ROAD TO CONSTANTINOPLE
  54. Omeir
  55. CONSTANTINOPLE
  56. Anna
  57. Omeir
  58. Anna
  59. NINE
  60. KOREA
  61. Zeno
  62. LAKEPORT, IDAHO
  63. Seymour
  64. THE ARGOS
  65. Konstance
  66. Zeno
  67. Seymour
  68. Konstance
  69. TEN
  70. THE LAKEPORT PUBLIC LIBRARY
  71. Seymour
  72. Zeno
  73. Seymour
  74. ELEVEN
  75. CONSTANTINOPLE
  76. Omeir
  77. Anna
  78. Omeir
  79. TWELVE
  80. THE ARGOS
  81. Konstance
  82. LAKEPORT, IDAHO
  83. Zeno
  84. LAKEPORT, IDAHO
  85. Seymour
  86. THE ARGOS
  87. Konstance
  88. THIRTEEN
  89. CONSTANTINOPLE
  90. Anna
  91. Omeir
  92. Anna
  93. Omeir
  94. Anna
  95. Omeir
  96. Anna
  97. FOURTEEN
  98. THE ARGOS
  99. Konstance
  100. LONDON
  101. Zeno
  102. LAKEPORT, IDAHO
  103. Seymour
  104. THE ARGOS
  105. Konstance
  106. FIFTEEN
  107. THE LAKEPORT PUBLIC LIBRARY
  108. Seymour
  109. Zeno
  110. Seymour
  111. SIXTEEN
  112. FOUR MILES WEST OF CONSTANTINOPLE
  113. Anna
  114. SEVENTEEN
  115. LAKEPORT, IDAHO
  116. Zeno
  117. THE ARGOS
  118. Konstance
  119. LAKEPORT, IDAHO
  120. Zeno
  121. EIGHTEEN
  122. THE ARGOS
  123. Konstance
  124. LAKEPORT, IDAHO
  125. Zeno
  126. THE ARGOS
  127. Konstance
  128. NINETEEN
  129. LAKEPORT, IDAHO
  130. Seymour
  131. Zeno
  132. Seymour
  133. TWENTY
  134. EIGHT MILES WEST OF CONSTANTINOPLE
  135. Omeir
  136. TWENTY-ONE
  137. THE LAKEPORT PUBLIC LIBRARY
  138. Zeno
  139. Seymour
  140. Zeno
  141. THE ARGOS
  142. Konstance
  143. TWENTY-TWO
  144. IDAHO STATE CORRECTIONAL INSTITUTION
  145. Seymour
  146. TWENTY-THREE
  147. NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  148. Anna
  149. THAT SAME RAVINE
  150. Omeir
  151. TWENTY-FOUR
  152. BOISE, IDAHO
  153. Seymour
  154. THE ARGOS
  155. Konstance
  156. EPILOGUE
  157. THE LAKEPORT PUBLIC LIBRARY
  158. Zeno
  159. QAANAAQ
  160. Konstance
  161. Author’s Note
  162. Acknowledgments
  163. A Scribner Reading Group Guide
  164. More from the Author
  165. About the Author
  166. ALSO BY ANTHONY DOERR

From a drawer in her memory comes something Widow Theodora once said: We have provoked the Lord, child, and now he will open the ground beneath us. She whispers a prayer to Saint Koralia that if there is any hope at all to send her a sign, and she watches and trembles, and the wind blows, and no stars show, and no sign comes.

The master has fled and the watchman is gone. The door to Widow Theodora’s cell is barred. Anna takes a candle from the scullery cabinet—who do they belong to now?—and lights it in the hearth and lets herself into their cell, where Maria lies against the wall, thin as a needle. All her life she has been told to believe, tried to believe, wanted to believe, that if a person suffers long enough, works hard enough, then she—like Ulysses washing up on the shore of the kingdom of brave Alcinous—will ultimately reach a better place. That through suffering we are redeemed. That by dying we live again. And maybe in the end that’s the easier thing. But Anna is tired of suffering. And she is not ready to die.

Little wooden Saint Koralia watches her from her niche, two fingers raised. In the sputtering candlelight, wrapped in her headscarf, Anna reaches beneath the pallet, draws out the sack she collected with Himerius days before, and removes the various wads of damp paper. Harvest records, taxation records. Finally the little stained codex bound in goatskin.

Water stains splotch the leather; the edges of the folios are speckled black. But her heart jolts when she sees the writing on the leaves: neat, inclined to the left, as though leaning into a wind. Something about a sick niece and men walking the earth as beasts.

On the next leaf:

… a palace of golden towers stacked on clouds, ringed by falcons, redshanks, quails, moorhens, and cuckoos, where rivers of broth gushed from spigots, and…

She flips forward:

… this hair growing out of my legs—why, these aren’t feathers! My mouth—it doesn’t feel like a beak! And these aren’t wings—they’re hooves!

A dozen leaves farther on:

… I crossed mountain passes, rounded amber-bearing forests, staggered over mountains webbed with ice, to the frozen rim of the world, where on the solstice the people lost the sun for forty days, and they wept until messengers on the mountaintops glimpsed the returning light…

Maria moans in her sleep. Anna shakes, shocks of recognition flashing through her. A city in the clouds. A donkey at the edge of the sea. An account that contains the entire world. And the mysteries beyond.

NINE

AT THE FROZEN RIM OF THE WORLD

Cloud Cuckoo Land by Antonius Diogenes, Folio I