Chapters (166)
- Title Page
- Dedication
- Epigraph
- PROLOGUE
- THE ARGOS
- Konstance
- ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- Seymour
- Zeno
- TWO
- CONSTANTINOPLE
- Anna
- A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- THREE
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- FOUR
- THE ARGOS
- Konstance
- FIVE
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- Zeno
- SIX
- CONSTANTINOPLE
- Anna
- THE ROAD TO EDIRNE
- Omeir
- Anna
- SEVEN
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EIGHT
- THE ROAD TO CONSTANTINOPLE
- Omeir
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- NINE
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- Zeno
- Seymour
- Konstance
- TEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- ELEVEN
- CONSTANTINOPLE
- Omeir
- Anna
- Omeir
- TWELVE
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- THIRTEEN
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- Anna
- FOURTEEN
- THE ARGOS
- Konstance
- LONDON
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- FIFTEEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- SIXTEEN
- FOUR MILES WEST OF CONSTANTINOPLE
- Anna
- SEVENTEEN
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- EIGHTEEN
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- NINETEEN
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- TWENTY
- EIGHT MILES WEST OF CONSTANTINOPLE
- Omeir
- TWENTY-ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- THE ARGOS
- Konstance
- TWENTY-TWO
- IDAHO STATE CORRECTIONAL INSTITUTION
- Seymour
- TWENTY-THREE
- NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Anna
- THAT SAME RAVINE
- Omeir
- TWENTY-FOUR
- BOISE, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EPILOGUE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- QAANAAQ
- Konstance
- Author’s Note
- Acknowledgments
- A Scribner Reading Group Guide
- More from the Author
- About the Author
- ALSO BY ANTHONY DOERR
Together they listen to the little door in the plywood wall creak shut. Footfalls move through the folding chairs. Zeno keeps his index finger pressed to his lips.
A floorboard squeaks; underwater bubbles gurgle from Natalie’s portable speaker. Is it only one person? It sounds like only one.
Be a police officer. Be Marian. Be Sharif.
Alex holds a can of root beer with two hands as though it were full of nitroglycerin. Rachel huddles over her script. Natalie shuts her eyes. Olivia’s eyes fix on Zeno’s. Christopher opens his mouth—for a moment Zeno believes the boy is going to cry out, that they are going to be discovered, murdered where they sit.
The footsteps stop. Christopher closes his mouth without making a sound. Zeno tries to remember what he and the children have left scattered among the chairs for someone to see. The dropped case of root beer, multiple cans rolled beneath the chairs. Backpacks. Pages of scripts. Natalie’s laptop. Olivia’s gull wings. The gold-painted encyclopedia on its lectern. The karaoke light, thankfully, is off.
Footfalls on the stage now. The rustle of a nylon jacket. Icy bands are compressing his chest and Zeno grimaces against the pressure. θεοὶ is the gods, ἐπεκλώσαντο means they spun, ὄλεθρον is death, plague, destruction. Ruin.
That’s what the gods do, they spin threads of ruin through the fabric of our lives, all to make a song for generations to come. Not now, gods. Not tonight. Let these children stay children for another night.
Seymour
The smell of fresh paint on the little stage is very strong; it catches at the back of his throat. Shelves block the windows and the lights are off and those strange underwater sound effects—coming from where?—unsettle him. Here’s a kid’s parka, here a pair of snow boots, here a soda can. Cartoon clouds hang above him. Against the backdrop, a thick book sits open on a lectern. What is this?
Beside his foot lies a spill of photocopied legal pages covered in handwriting. He picks up one, holds it close to his eyes:
- GUARDIAN #2: Though it will seem simple at first, it’s actually quite complicated.
- GUARDIAN #1: No, no, it will seem complicated at first, but it’s actually quite simple.
- GUARDIAN #2: Ready, little crow? Here’s our riddle. “He that knows all that Learning ever writ, knows only this.”
Pistol in one hand, page in the other, Seymour stands on the stage and gazes at the painting on the drop curtain. The towers floating on clouds, trees winding up through the center—it seems like an image from a dream he had long ago. The hand-printed sign on the library door comes back to him: