Back Cloud Cuckoo Land Save as PDF
Chapters (166)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. THE ARGOS
  6. Konstance
  7. ONE
  8. THE LAKEPORT PUBLIC LIBRARY
  9. Zeno
  10. Seymour
  11. Zeno
  12. Seymour
  13. Zeno
  14. TWO
  15. CONSTANTINOPLE
  16. Anna
  17. A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  18. Omeir
  19. Anna
  20. Omeir
  21. Anna
  22. Omeir
  23. THREE
  24. LAKEPORT, IDAHO
  25. Zeno
  26. LAKEPORT, IDAHO
  27. Seymour
  28. Zeno
  29. Seymour
  30. FOUR
  31. THE ARGOS
  32. Konstance
  33. FIVE
  34. THE LAKEPORT PUBLIC LIBRARY
  35. Seymour
  36. Zeno
  37. Seymour
  38. Zeno
  39. SIX
  40. CONSTANTINOPLE
  41. Anna
  42. THE ROAD TO EDIRNE
  43. Omeir
  44. Anna
  45. SEVEN
  46. KOREA
  47. Zeno
  48. LAKEPORT, IDAHO
  49. Seymour
  50. THE ARGOS
  51. Konstance
  52. EIGHT
  53. THE ROAD TO CONSTANTINOPLE
  54. Omeir
  55. CONSTANTINOPLE
  56. Anna
  57. Omeir
  58. Anna
  59. NINE
  60. KOREA
  61. Zeno
  62. LAKEPORT, IDAHO
  63. Seymour
  64. THE ARGOS
  65. Konstance
  66. Zeno
  67. Seymour
  68. Konstance
  69. TEN
  70. THE LAKEPORT PUBLIC LIBRARY
  71. Seymour
  72. Zeno
  73. Seymour
  74. ELEVEN
  75. CONSTANTINOPLE
  76. Omeir
  77. Anna
  78. Omeir
  79. TWELVE
  80. THE ARGOS
  81. Konstance
  82. LAKEPORT, IDAHO
  83. Zeno
  84. LAKEPORT, IDAHO
  85. Seymour
  86. THE ARGOS
  87. Konstance
  88. THIRTEEN
  89. CONSTANTINOPLE
  90. Anna
  91. Omeir
  92. Anna
  93. Omeir
  94. Anna
  95. Omeir
  96. Anna
  97. FOURTEEN
  98. THE ARGOS
  99. Konstance
  100. LONDON
  101. Zeno
  102. LAKEPORT, IDAHO
  103. Seymour
  104. THE ARGOS
  105. Konstance
  106. FIFTEEN
  107. THE LAKEPORT PUBLIC LIBRARY
  108. Seymour
  109. Zeno
  110. Seymour
  111. SIXTEEN
  112. FOUR MILES WEST OF CONSTANTINOPLE
  113. Anna
  114. SEVENTEEN
  115. LAKEPORT, IDAHO
  116. Zeno
  117. THE ARGOS
  118. Konstance
  119. LAKEPORT, IDAHO
  120. Zeno
  121. EIGHTEEN
  122. THE ARGOS
  123. Konstance
  124. LAKEPORT, IDAHO
  125. Zeno
  126. THE ARGOS
  127. Konstance
  128. NINETEEN
  129. LAKEPORT, IDAHO
  130. Seymour
  131. Zeno
  132. Seymour
  133. TWENTY
  134. EIGHT MILES WEST OF CONSTANTINOPLE
  135. Omeir
  136. TWENTY-ONE
  137. THE LAKEPORT PUBLIC LIBRARY
  138. Zeno
  139. Seymour
  140. Zeno
  141. THE ARGOS
  142. Konstance
  143. TWENTY-TWO
  144. IDAHO STATE CORRECTIONAL INSTITUTION
  145. Seymour
  146. TWENTY-THREE
  147. NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  148. Anna
  149. THAT SAME RAVINE
  150. Omeir
  151. TWENTY-FOUR
  152. BOISE, IDAHO
  153. Seymour
  154. THE ARGOS
  155. Konstance
  156. EPILOGUE
  157. THE LAKEPORT PUBLIC LIBRARY
  158. Zeno
  159. QAANAAQ
  160. Konstance
  161. Author’s Note
  162. Acknowledgments
  163. A Scribner Reading Group Guide
  164. More from the Author
  165. About the Author
  166. ALSO BY ANTHONY DOERR

Together they listen to the little door in the plywood wall creak shut. Footfalls move through the folding chairs. Zeno keeps his index finger pressed to his lips.

A floorboard squeaks; underwater bubbles gurgle from Natalie’s portable speaker. Is it only one person? It sounds like only one.

Be a police officer. Be Marian. Be Sharif.

Alex holds a can of root beer with two hands as though it were full of nitroglycerin. Rachel huddles over her script. Natalie shuts her eyes. Olivia’s eyes fix on Zeno’s. Christopher opens his mouth—for a moment Zeno believes the boy is going to cry out, that they are going to be discovered, murdered where they sit.

The footsteps stop. Christopher closes his mouth without making a sound. Zeno tries to remember what he and the children have left scattered among the chairs for someone to see. The dropped case of root beer, multiple cans rolled beneath the chairs. Backpacks. Pages of scripts. Natalie’s laptop. Olivia’s gull wings. The gold-painted encyclopedia on its lectern. The karaoke light, thankfully, is off.

Footfalls on the stage now. The rustle of a nylon jacket. Icy bands are compressing his chest and Zeno grimaces against the pressure. θεοὶ is the gods, ἐπεκλώσαντο means they spun, ὄλεθρον is death, plague, destruction. Ruin.

That’s what the gods do, they spin threads of ruin through the fabric of our lives, all to make a song for generations to come. Not now, gods. Not tonight. Let these children stay children for another night.

Seymour

The smell of fresh paint on the little stage is very strong; it catches at the back of his throat. Shelves block the windows and the lights are off and those strange underwater sound effects—coming from where?—unsettle him. Here’s a kid’s parka, here a pair of snow boots, here a soda can. Cartoon clouds hang above him. Against the backdrop, a thick book sits open on a lectern. What is this?

Beside his foot lies a spill of photocopied legal pages covered in handwriting. He picks up one, holds it close to his eyes:

  • GUARDIAN #2: Though it will seem simple at first, it’s actually quite complicated.
  • GUARDIAN #1: No, no, it will seem complicated at first, but it’s actually quite simple.
  • GUARDIAN #2: Ready, little crow? Here’s our riddle. “He that knows all that Learning ever writ, knows only this.”

Pistol in one hand, page in the other, Seymour stands on the stage and gazes at the painting on the drop curtain. The towers floating on clouds, trees winding up through the center—it seems like an image from a dream he had long ago. The hand-printed sign on the library door comes back to him:

Backwards, the words: Tomorrow One Nite Only Cloud Cuckoo Land