Back Cloud Cuckoo Land
Chapters (166)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. THE ARGOS
  6. Konstance
  7. ONE
  8. THE LAKEPORT PUBLIC LIBRARY
  9. Zeno
  10. Seymour
  11. Zeno
  12. Seymour
  13. Zeno
  14. TWO
  15. CONSTANTINOPLE
  16. Anna
  17. A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  18. Omeir
  19. Anna
  20. Omeir
  21. Anna
  22. Omeir
  23. THREE
  24. LAKEPORT, IDAHO
  25. Zeno
  26. LAKEPORT, IDAHO
  27. Seymour
  28. Zeno
  29. Seymour
  30. FOUR
  31. THE ARGOS
  32. Konstance
  33. FIVE
  34. THE LAKEPORT PUBLIC LIBRARY
  35. Seymour
  36. Zeno
  37. Seymour
  38. Zeno
  39. SIX
  40. CONSTANTINOPLE
  41. Anna
  42. THE ROAD TO EDIRNE
  43. Omeir
  44. Anna
  45. SEVEN
  46. KOREA
  47. Zeno
  48. LAKEPORT, IDAHO
  49. Seymour
  50. THE ARGOS
  51. Konstance
  52. EIGHT
  53. THE ROAD TO CONSTANTINOPLE
  54. Omeir
  55. CONSTANTINOPLE
  56. Anna
  57. Omeir
  58. Anna
  59. NINE
  60. KOREA
  61. Zeno
  62. LAKEPORT, IDAHO
  63. Seymour
  64. THE ARGOS
  65. Konstance
  66. Zeno
  67. Seymour
  68. Konstance
  69. TEN
  70. THE LAKEPORT PUBLIC LIBRARY
  71. Seymour
  72. Zeno
  73. Seymour
  74. ELEVEN
  75. CONSTANTINOPLE
  76. Omeir
  77. Anna
  78. Omeir
  79. TWELVE
  80. THE ARGOS
  81. Konstance
  82. LAKEPORT, IDAHO
  83. Zeno
  84. LAKEPORT, IDAHO
  85. Seymour
  86. THE ARGOS
  87. Konstance
  88. THIRTEEN
  89. CONSTANTINOPLE
  90. Anna
  91. Omeir
  92. Anna
  93. Omeir
  94. Anna
  95. Omeir
  96. Anna
  97. FOURTEEN
  98. THE ARGOS
  99. Konstance
  100. LONDON
  101. Zeno
  102. LAKEPORT, IDAHO
  103. Seymour
  104. THE ARGOS
  105. Konstance
  106. FIFTEEN
  107. THE LAKEPORT PUBLIC LIBRARY
  108. Seymour
  109. Zeno
  110. Seymour
  111. SIXTEEN
  112. FOUR MILES WEST OF CONSTANTINOPLE
  113. Anna
  114. SEVENTEEN
  115. LAKEPORT, IDAHO
  116. Zeno
  117. THE ARGOS
  118. Konstance
  119. LAKEPORT, IDAHO
  120. Zeno
  121. EIGHTEEN
  122. THE ARGOS
  123. Konstance
  124. LAKEPORT, IDAHO
  125. Zeno
  126. THE ARGOS
  127. Konstance
  128. NINETEEN
  129. LAKEPORT, IDAHO
  130. Seymour
  131. Zeno
  132. Seymour
  133. TWENTY
  134. EIGHT MILES WEST OF CONSTANTINOPLE
  135. Omeir
  136. TWENTY-ONE
  137. THE LAKEPORT PUBLIC LIBRARY
  138. Zeno
  139. Seymour
  140. Zeno
  141. THE ARGOS
  142. Konstance
  143. TWENTY-TWO
  144. IDAHO STATE CORRECTIONAL INSTITUTION
  145. Seymour
  146. TWENTY-THREE
  147. NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  148. Anna
  149. THAT SAME RAVINE
  150. Omeir
  151. TWENTY-FOUR
  152. BOISE, IDAHO
  153. Seymour
  154. THE ARGOS
  155. Konstance
  156. EPILOGUE
  157. THE LAKEPORT PUBLIC LIBRARY
  158. Zeno
  159. QAANAAQ
  160. Konstance
  161. Author’s Note
  162. Acknowledgments
  163. A Scribner Reading Group Guide
  164. More from the Author
  165. About the Author
  166. ALSO BY ANTHONY DOERR

“Inside there, children, is the collective wisdom of our species. Every map ever drawn, every census ever taken, every book ever published, every football match, every symphony, every edition of every newspaper, the genomic maps of over one million species—everything we can imagine and everything we might ever need. Sybil is our guardian, our pilot, our caretaker: she keeps us on course, she keeps us healthy, and she safeguards the heritage of all humanity against erasure and destruction.”

Ramón breathes on the glass, puts a finger to the vapor, and draws an R.

Jessi Ko says, “When I’m old enough to go to the Library, I’m going straight to the Games Section to fly around Flower-Fruit Mountain.”

“I’m going to play Swords of Silverman,” says Ramón. “Zeke says it goes on for twenty thousand levels.”

Konstance, Sybil asks, what will you do when you get to the Library?

Konstance glances over her shoulder. The door they entered through has sealed so tightly behind them that it is indistinguishable from the wall. She says, “What’s ‘erasure and destruction’?”

Night terrors come next. After Third Meal is cleaned up, after the other families retire to their compartments, after Father heads back to his plants in Farm 4, Mother and Konstance walk back to Compartment 17 and tidy the various worksuits waiting their turn at Mother’s sewing machine—here the bin for malfunctioning zippers, here the bin of scraps, here the loose threads, nothing wasted, nothing lost. They powder their teeth and brush their hair and Mother takes a SleepDrop and kisses Konstance on the forehead and they climb into their respective berths, Mother on the bottom and Konstance on the top.

The walls dim from purple to gray to black. She tries to breathe, tries to hold her eyes open.

Still they come. Beasts with glittering razor-teeth. Slavering devils with horns. Eyeless white larvae swarming inside her mattress. The worst are the ogres with skeleton limbs that come scuttling down the corridor; they tear open the compartment door, climb the walls, and chew through the ceiling. Konstance clings to her berth as her mother is sucked out into the void; she tries to blink but her eyes are boiling; she tries to scream but her tongue has turned to ice.

“Where,” Mother asks Sybil, “does she get it? I thought we were selected for higher cognitive reasoning? I thought we were supposed to have suppressed imaginative faculties.”

Sybil says, Sometimes genetics surprise us.

Father says, “Thank goodness for that.”

Sybil says, She’ll outgrow it.

She’s seven and three-quarters. DayLight dims and Mother takes her SleepDrop and Konstance climbs into her berth. She holds her eyes open with her fingertips. Counts from zero to one hundred. Back to zero again.

“Mother?”

No response.