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Chapters (166)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. THE ARGOS
  6. Konstance
  7. ONE
  8. THE LAKEPORT PUBLIC LIBRARY
  9. Zeno
  10. Seymour
  11. Zeno
  12. Seymour
  13. Zeno
  14. TWO
  15. CONSTANTINOPLE
  16. Anna
  17. A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  18. Omeir
  19. Anna
  20. Omeir
  21. Anna
  22. Omeir
  23. THREE
  24. LAKEPORT, IDAHO
  25. Zeno
  26. LAKEPORT, IDAHO
  27. Seymour
  28. Zeno
  29. Seymour
  30. FOUR
  31. THE ARGOS
  32. Konstance
  33. FIVE
  34. THE LAKEPORT PUBLIC LIBRARY
  35. Seymour
  36. Zeno
  37. Seymour
  38. Zeno
  39. SIX
  40. CONSTANTINOPLE
  41. Anna
  42. THE ROAD TO EDIRNE
  43. Omeir
  44. Anna
  45. SEVEN
  46. KOREA
  47. Zeno
  48. LAKEPORT, IDAHO
  49. Seymour
  50. THE ARGOS
  51. Konstance
  52. EIGHT
  53. THE ROAD TO CONSTANTINOPLE
  54. Omeir
  55. CONSTANTINOPLE
  56. Anna
  57. Omeir
  58. Anna
  59. NINE
  60. KOREA
  61. Zeno
  62. LAKEPORT, IDAHO
  63. Seymour
  64. THE ARGOS
  65. Konstance
  66. Zeno
  67. Seymour
  68. Konstance
  69. TEN
  70. THE LAKEPORT PUBLIC LIBRARY
  71. Seymour
  72. Zeno
  73. Seymour
  74. ELEVEN
  75. CONSTANTINOPLE
  76. Omeir
  77. Anna
  78. Omeir
  79. TWELVE
  80. THE ARGOS
  81. Konstance
  82. LAKEPORT, IDAHO
  83. Zeno
  84. LAKEPORT, IDAHO
  85. Seymour
  86. THE ARGOS
  87. Konstance
  88. THIRTEEN
  89. CONSTANTINOPLE
  90. Anna
  91. Omeir
  92. Anna
  93. Omeir
  94. Anna
  95. Omeir
  96. Anna
  97. FOURTEEN
  98. THE ARGOS
  99. Konstance
  100. LONDON
  101. Zeno
  102. LAKEPORT, IDAHO
  103. Seymour
  104. THE ARGOS
  105. Konstance
  106. FIFTEEN
  107. THE LAKEPORT PUBLIC LIBRARY
  108. Seymour
  109. Zeno
  110. Seymour
  111. SIXTEEN
  112. FOUR MILES WEST OF CONSTANTINOPLE
  113. Anna
  114. SEVENTEEN
  115. LAKEPORT, IDAHO
  116. Zeno
  117. THE ARGOS
  118. Konstance
  119. LAKEPORT, IDAHO
  120. Zeno
  121. EIGHTEEN
  122. THE ARGOS
  123. Konstance
  124. LAKEPORT, IDAHO
  125. Zeno
  126. THE ARGOS
  127. Konstance
  128. NINETEEN
  129. LAKEPORT, IDAHO
  130. Seymour
  131. Zeno
  132. Seymour
  133. TWENTY
  134. EIGHT MILES WEST OF CONSTANTINOPLE
  135. Omeir
  136. TWENTY-ONE
  137. THE LAKEPORT PUBLIC LIBRARY
  138. Zeno
  139. Seymour
  140. Zeno
  141. THE ARGOS
  142. Konstance
  143. TWENTY-TWO
  144. IDAHO STATE CORRECTIONAL INSTITUTION
  145. Seymour
  146. TWENTY-THREE
  147. NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  148. Anna
  149. THAT SAME RAVINE
  150. Omeir
  151. TWENTY-FOUR
  152. BOISE, IDAHO
  153. Seymour
  154. THE ARGOS
  155. Konstance
  156. EPILOGUE
  157. THE LAKEPORT PUBLIC LIBRARY
  158. Zeno
  159. QAANAAQ
  160. Konstance
  161. Author’s Note
  162. Acknowledgments
  163. A Scribner Reading Group Guide
  164. More from the Author
  165. About the Author
  166. ALSO BY ANTHONY DOERR

Twenty paces past the boulder, Seymour reaches a single strand of barbed wire sagging between posts. Behind him is the sliding door, the kitchen, Pawpaw’s microwave; ahead are three thousand acres of forest owned by a family in Texas no one in Lakeport has ever met.

Wock wock-a-wock, calls the magpie.

It’s easy to duck under the wire.

Beneath the trees, the light changes entirely: another world. Pennants of lichen sway from branches; snippets of sky glow overhead. Here’s an ant mound half as tall as he is; here’s a granite rib the size of a minivan; here’s a sheet of bark that fits around his midsection like the chest plate of Starboy’s armor.

Halfway up the hill behind the house, Seymour comes to a clearing ringed by Douglas firs with a big dead ponderosa in the center like the many-fingered arm of a skeleton-giant thrust up from the underworld. Parachuting through the air around him, blown out of the firs, are hundreds of pine needles bundled in twos. He catches one, imagines it as a little man with a truncated torso and long slender legs. The NeedleMan ventures across the clearing on his pointy feet.

At the foot of the dead tree, Seymour constructs a house for the NeedleMan from bark and twigs. He is installing a lichen mattress inside when a ghost shrieks ten feet above his head.

Ee-ee? Ee-ee-eet?

Every hair on Seymour’s arms stands up straight. The owl is so well camouflaged that it vocalizes three more times before the boy sets eyes on it, and when he does he gasps.

It blinks three times, four. In the shadow against the bark, with its eyelids closed, the owl vanishes. Then the eyes open again and the creature rematerializes.

It is the size of Tony Molinari. Its eyes are the color of tennis balls. It is looking right at him.

From his spot at the base of the big dead tree, Seymour gazes up and the owl gazes down and the forest breathes and something happens: the unease mumbling at the margins of his every waking moment—the roar—falls quiet.

There is magic in this place, the owl seems to say. You just have to sit and breathe and wait and it will find you.

He sits and breathes and waits and the Earth travels another thousand kilometers along its orbit. Lifelong knots deep inside the boy loosen.