Chapters (166)
- Title Page
- Dedication
- Epigraph
- PROLOGUE
- THE ARGOS
- Konstance
- ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- Seymour
- Zeno
- TWO
- CONSTANTINOPLE
- Anna
- A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- THREE
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- FOUR
- THE ARGOS
- Konstance
- FIVE
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- Zeno
- SIX
- CONSTANTINOPLE
- Anna
- THE ROAD TO EDIRNE
- Omeir
- Anna
- SEVEN
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EIGHT
- THE ROAD TO CONSTANTINOPLE
- Omeir
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- NINE
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- Zeno
- Seymour
- Konstance
- TEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- ELEVEN
- CONSTANTINOPLE
- Omeir
- Anna
- Omeir
- TWELVE
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- THIRTEEN
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- Anna
- FOURTEEN
- THE ARGOS
- Konstance
- LONDON
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- FIFTEEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- SIXTEEN
- FOUR MILES WEST OF CONSTANTINOPLE
- Anna
- SEVENTEEN
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- EIGHTEEN
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- NINETEEN
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- TWENTY
- EIGHT MILES WEST OF CONSTANTINOPLE
- Omeir
- TWENTY-ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- THE ARGOS
- Konstance
- TWENTY-TWO
- IDAHO STATE CORRECTIONAL INSTITUTION
- Seymour
- TWENTY-THREE
- NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Anna
- THAT SAME RAVINE
- Omeir
- TWENTY-FOUR
- BOISE, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EPILOGUE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- QAANAAQ
- Konstance
- Author’s Note
- Acknowledgments
- A Scribner Reading Group Guide
- More from the Author
- About the Author
- ALSO BY ANTHONY DOERR
The house sits on an acre of weeds a mile from town at the dead end of a gravel road called Arcady Lane. One window is shattered, the siding has I DONT CALL 911 spray-painted on it, and the roof curls upward at one end as though a giant has tried to peel it off. As soon as the lawyer drives away, Bunny kneels in the driveway and sobs with a persistence that frightens them both.
Pine forest wraps the acre on three sides. Thousands of white butterflies drift between the heads of the thistles in the yard. Seymour sits beside her.
“Oh, Possum.” Bunny wipes her eyes. “It’s just been a long fucking time.”
The trees rising above the back of the property shimmer; the butterflies float.
“Since what, Mom?”
“Since hope.”
A strand of spiderweb, sailing through the air, catches the light. “Yeah,” he says. “It’s been a long fucking time since hope.” And is startled when his mother bursts into laughter.
Bunny nails plywood over the broken window and wipes rodent turds out of the kitchen cabinets and drags Pawpaw’s chipmunk-chewed mattress to the road and finances two new ones at nineteen-percent-no-money-down. At the thrift store she finds an orange love seat and douses it with half a can of Glade Hawaiian Breeze before she and Seymour drag it inside. At sunset they sit side by side on the front step and eat two waffles each. An osprey passes high above, heading for the lake. A doe and two fawns materialize beside the toolshed and twitch their ears. The sky turns purple.
“Seed’s a-growing,” sings Bunny, “and the meadow’s a-blooming, and the wood’s a-coming into leaf now…”
Seymour shuts his eyes. The breeze feels as soft as the blue blankets at the Golden Oak, maybe softer, and the thistles are pumping off a smell like warm Christmas trees, and through the wall directly behind them is his very own room with stains on the ceiling that look like clouds or cougars or maybe sea sponges, and his mother sounds so happy that when she gets to the part in her song about the ewe bleating, and the bullock prancing, and the billy goat farting, he can’t keep himself from laughing.
First grade at Lakeport Elementary = twenty-six six-year-olds in a twenty-four-by-forty-foot portable presided over by a seasoned ironist named Mrs. Onegin. The navy-blue desk she assigns to Seymour is hateful: its frame is warped and its bolts are rusted and its feet make squeaks against the floor that feel like needles perforating the backs of his eyeballs.
Mrs. Onegin says, “Seymour, do you see any other children sitting on the floor?”
She says, “Seymour, are you waiting for a specially engraved invitation?”
She says, “Seymour, if you don’t sit—”