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Chapters (166)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. THE ARGOS
  6. Konstance
  7. ONE
  8. THE LAKEPORT PUBLIC LIBRARY
  9. Zeno
  10. Seymour
  11. Zeno
  12. Seymour
  13. Zeno
  14. TWO
  15. CONSTANTINOPLE
  16. Anna
  17. A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  18. Omeir
  19. Anna
  20. Omeir
  21. Anna
  22. Omeir
  23. THREE
  24. LAKEPORT, IDAHO
  25. Zeno
  26. LAKEPORT, IDAHO
  27. Seymour
  28. Zeno
  29. Seymour
  30. FOUR
  31. THE ARGOS
  32. Konstance
  33. FIVE
  34. THE LAKEPORT PUBLIC LIBRARY
  35. Seymour
  36. Zeno
  37. Seymour
  38. Zeno
  39. SIX
  40. CONSTANTINOPLE
  41. Anna
  42. THE ROAD TO EDIRNE
  43. Omeir
  44. Anna
  45. SEVEN
  46. KOREA
  47. Zeno
  48. LAKEPORT, IDAHO
  49. Seymour
  50. THE ARGOS
  51. Konstance
  52. EIGHT
  53. THE ROAD TO CONSTANTINOPLE
  54. Omeir
  55. CONSTANTINOPLE
  56. Anna
  57. Omeir
  58. Anna
  59. NINE
  60. KOREA
  61. Zeno
  62. LAKEPORT, IDAHO
  63. Seymour
  64. THE ARGOS
  65. Konstance
  66. Zeno
  67. Seymour
  68. Konstance
  69. TEN
  70. THE LAKEPORT PUBLIC LIBRARY
  71. Seymour
  72. Zeno
  73. Seymour
  74. ELEVEN
  75. CONSTANTINOPLE
  76. Omeir
  77. Anna
  78. Omeir
  79. TWELVE
  80. THE ARGOS
  81. Konstance
  82. LAKEPORT, IDAHO
  83. Zeno
  84. LAKEPORT, IDAHO
  85. Seymour
  86. THE ARGOS
  87. Konstance
  88. THIRTEEN
  89. CONSTANTINOPLE
  90. Anna
  91. Omeir
  92. Anna
  93. Omeir
  94. Anna
  95. Omeir
  96. Anna
  97. FOURTEEN
  98. THE ARGOS
  99. Konstance
  100. LONDON
  101. Zeno
  102. LAKEPORT, IDAHO
  103. Seymour
  104. THE ARGOS
  105. Konstance
  106. FIFTEEN
  107. THE LAKEPORT PUBLIC LIBRARY
  108. Seymour
  109. Zeno
  110. Seymour
  111. SIXTEEN
  112. FOUR MILES WEST OF CONSTANTINOPLE
  113. Anna
  114. SEVENTEEN
  115. LAKEPORT, IDAHO
  116. Zeno
  117. THE ARGOS
  118. Konstance
  119. LAKEPORT, IDAHO
  120. Zeno
  121. EIGHTEEN
  122. THE ARGOS
  123. Konstance
  124. LAKEPORT, IDAHO
  125. Zeno
  126. THE ARGOS
  127. Konstance
  128. NINETEEN
  129. LAKEPORT, IDAHO
  130. Seymour
  131. Zeno
  132. Seymour
  133. TWENTY
  134. EIGHT MILES WEST OF CONSTANTINOPLE
  135. Omeir
  136. TWENTY-ONE
  137. THE LAKEPORT PUBLIC LIBRARY
  138. Zeno
  139. Seymour
  140. Zeno
  141. THE ARGOS
  142. Konstance
  143. TWENTY-TWO
  144. IDAHO STATE CORRECTIONAL INSTITUTION
  145. Seymour
  146. TWENTY-THREE
  147. NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  148. Anna
  149. THAT SAME RAVINE
  150. Omeir
  151. TWENTY-FOUR
  152. BOISE, IDAHO
  153. Seymour
  154. THE ARGOS
  155. Konstance
  156. EPILOGUE
  157. THE LAKEPORT PUBLIC LIBRARY
  158. Zeno
  159. QAANAAQ
  160. Konstance
  161. Author’s Note
  162. Acknowledgments
  163. A Scribner Reading Group Guide
  164. More from the Author
  165. About the Author
  166. ALSO BY ANTHONY DOERR

Don’t answer. Konstance spends hours discreetly sharpening the edge of the cot leg. She inserts the sharpened leg into a slot on a second leg that will serve as a handle, secures it with a screw, makes cord from the lining of her blanket, and lashes the sharpened cot leg fast: a homemade axe. Then she takes several scoops of Nourish powder, runs them through the food printer, and the machine fills the bowl past the rim.

I am glad, says Sybil, that you are preparing a meal, Konstance. And such a large one too.

“I’ll have another after this one, Sybil. Is there a recipe you might recommend?”

How about pineapple fried rice? Doesn’t that sound nice?

Konstance swallows, fills her mouth again. “It does, yes. It sounds wonderful.”

Once she is full, she crawls around the floor gathering her transcriptions of Zeno Ninis’s translations. Aethon Has a Vision. The Bandits’ Hideout. The Garden of the Goddess. She gathers all the scraps into a stack, Folio A to Folio Ω, sets her drawing of a cloud city on top, and, using one of the aluminum screws from the cot legs, bores a row of holes through the left edge. Then she unravels more blanket lining, braids the fibers together to make twine, lines up the holes, and sews the scraps of food sacks together along one edge to bind them.

An hour left before NoLight, she cleans her food bowl and fills it with water. By running her fingers along her scalp, she collects a little nest of hair and wedges it into the bottom of her empty drinking cup.

Then she sits on the floor and waits and watches Sybil gleam inside her tower. She can almost feel Father bundling her in her blanket, sitting with her against the wall of Farm 4, the space around them crammed with racks of lettuce and watercress and parsley, the seeds sleeping in their drawers.

Will you tell some more of the story, Father?

When NoLight comes, she takes the bioplastic suit her father sewed for her twelve months before and pulls it on. Leaving her arms free, she zips it to her chest, the fit more snug now that she has grown, and tucks her handmade book deep inside her worksuit. Then she balances one end of the legless cot, its mattress still inflated, on the food printer and the other on the toilet to form a kind of canopy.

Konstance, says Sybil, what are you doing to your bed?

She crawls beneath the elevated cot. From the back of the printer she unplugs the low-voltage power connection, strips away the thermoplastic sheath, and attaches the wires inside the cable to the two remaining cot legs. Positive to one, negative to the other. These she sticks into the water in her food bowl.