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Chapters (166)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. THE ARGOS
  6. Konstance
  7. ONE
  8. THE LAKEPORT PUBLIC LIBRARY
  9. Zeno
  10. Seymour
  11. Zeno
  12. Seymour
  13. Zeno
  14. TWO
  15. CONSTANTINOPLE
  16. Anna
  17. A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  18. Omeir
  19. Anna
  20. Omeir
  21. Anna
  22. Omeir
  23. THREE
  24. LAKEPORT, IDAHO
  25. Zeno
  26. LAKEPORT, IDAHO
  27. Seymour
  28. Zeno
  29. Seymour
  30. FOUR
  31. THE ARGOS
  32. Konstance
  33. FIVE
  34. THE LAKEPORT PUBLIC LIBRARY
  35. Seymour
  36. Zeno
  37. Seymour
  38. Zeno
  39. SIX
  40. CONSTANTINOPLE
  41. Anna
  42. THE ROAD TO EDIRNE
  43. Omeir
  44. Anna
  45. SEVEN
  46. KOREA
  47. Zeno
  48. LAKEPORT, IDAHO
  49. Seymour
  50. THE ARGOS
  51. Konstance
  52. EIGHT
  53. THE ROAD TO CONSTANTINOPLE
  54. Omeir
  55. CONSTANTINOPLE
  56. Anna
  57. Omeir
  58. Anna
  59. NINE
  60. KOREA
  61. Zeno
  62. LAKEPORT, IDAHO
  63. Seymour
  64. THE ARGOS
  65. Konstance
  66. Zeno
  67. Seymour
  68. Konstance
  69. TEN
  70. THE LAKEPORT PUBLIC LIBRARY
  71. Seymour
  72. Zeno
  73. Seymour
  74. ELEVEN
  75. CONSTANTINOPLE
  76. Omeir
  77. Anna
  78. Omeir
  79. TWELVE
  80. THE ARGOS
  81. Konstance
  82. LAKEPORT, IDAHO
  83. Zeno
  84. LAKEPORT, IDAHO
  85. Seymour
  86. THE ARGOS
  87. Konstance
  88. THIRTEEN
  89. CONSTANTINOPLE
  90. Anna
  91. Omeir
  92. Anna
  93. Omeir
  94. Anna
  95. Omeir
  96. Anna
  97. FOURTEEN
  98. THE ARGOS
  99. Konstance
  100. LONDON
  101. Zeno
  102. LAKEPORT, IDAHO
  103. Seymour
  104. THE ARGOS
  105. Konstance
  106. FIFTEEN
  107. THE LAKEPORT PUBLIC LIBRARY
  108. Seymour
  109. Zeno
  110. Seymour
  111. SIXTEEN
  112. FOUR MILES WEST OF CONSTANTINOPLE
  113. Anna
  114. SEVENTEEN
  115. LAKEPORT, IDAHO
  116. Zeno
  117. THE ARGOS
  118. Konstance
  119. LAKEPORT, IDAHO
  120. Zeno
  121. EIGHTEEN
  122. THE ARGOS
  123. Konstance
  124. LAKEPORT, IDAHO
  125. Zeno
  126. THE ARGOS
  127. Konstance
  128. NINETEEN
  129. LAKEPORT, IDAHO
  130. Seymour
  131. Zeno
  132. Seymour
  133. TWENTY
  134. EIGHT MILES WEST OF CONSTANTINOPLE
  135. Omeir
  136. TWENTY-ONE
  137. THE LAKEPORT PUBLIC LIBRARY
  138. Zeno
  139. Seymour
  140. Zeno
  141. THE ARGOS
  142. Konstance
  143. TWENTY-TWO
  144. IDAHO STATE CORRECTIONAL INSTITUTION
  145. Seymour
  146. TWENTY-THREE
  147. NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  148. Anna
  149. THAT SAME RAVINE
  150. Omeir
  151. TWENTY-FOUR
  152. BOISE, IDAHO
  153. Seymour
  154. THE ARGOS
  155. Konstance
  156. EPILOGUE
  157. THE LAKEPORT PUBLIC LIBRARY
  158. Zeno
  159. QAANAAQ
  160. Konstance
  161. Author’s Note
  162. Acknowledgments
  163. A Scribner Reading Group Guide
  164. More from the Author
  165. About the Author
  166. ALSO BY ANTHONY DOERR

The gray one suckles on its bent-twig legs; the firstborn remains wet and folded in the ferns. Grandfather sighs, but just then the first calf stands, and takes a step toward them as if to say, “Which of you doubted me?” and Grandfather and Omeir laugh, and the family’s wealth is doubled.

Grandfather warns that it will be a challenge for Beauty to produce enough milk for two, but she proves up to the task, grazing nonstop in the lengthening daylight, and the calves grow swiftly and without pause. They name the brown one Tree, the gray one Moonlight.

Tree likes to keep his hooves clean, bleats if his mother dips out of sight, and will stand patiently for half a morning while Omeir picks burrs out of his coat. Moonlight, on the other hand, is always trotting somewhere to investigate moths, toadstools, or stumps; he nibbles ropes and chains, eats sawdust, wades in mud up to his knees, gets a horn stuck in a dead tree and bawls for help. What the two calves share from the start is an adoration for the boy, who feeds them by hand, who strokes their muzzles, who often wakes in the byre outside the cottage with their big, warm bodies wrapped around his. They play hide-and-seek and race-to-Beauty with him; they stomp through spring puddles together amid glittering clouds of flies; they seem to accept Omeir as a brother.

Before their first full moon, Grandfather fits them to a yoke. Omeir loads the dray with stones, picks up a goad stick, and begins to work them. Step in, step out, gee means right, haw means left, whoa means stop—at first the calves pay the boy no mind. Tree refuses to back up and be hitched to the load; Moonlight tries to dislodge the yoke on every available tree. The dray tips, the stones roll off, the calves go to their knees, bawling, and old Leaf and Needle look up from their grazing and shake their grizzled heads as though amused.

“What creature,” laughs Nida, “would trust someone with a face like that?”

“Show them that you can meet all of their needs,” says Grandfather.

Omeir starts again. He taps them on the knees with the goad; he clucks and whistles; he whispers in their ears. That summer the mountain turns as green as anyone can remember, and the grasses shoot high, and his mother’s hives grow heavy with honey, and for the first time since being driven from the village, the family has plenty to eat.

The horns of Moonlight and Tree spread, their rumps thicken, their chests broaden; by the time they are castrated, they are bigger than their mother, and make Leaf and Needle look slight. Grandfather says that if you listen hard enough you can hear them growing, and although Omeir is pretty sure that Grandfather is joking, when no one is looking, he presses an ear to Moonlight’s huge rib and shuts his eyes.