Chapters (166)
- Title Page
- Dedication
- Epigraph
- PROLOGUE
- THE ARGOS
- Konstance
- ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- Seymour
- Zeno
- TWO
- CONSTANTINOPLE
- Anna
- A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- THREE
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- FOUR
- THE ARGOS
- Konstance
- FIVE
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- Zeno
- SIX
- CONSTANTINOPLE
- Anna
- THE ROAD TO EDIRNE
- Omeir
- Anna
- SEVEN
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EIGHT
- THE ROAD TO CONSTANTINOPLE
- Omeir
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- NINE
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- Zeno
- Seymour
- Konstance
- TEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- ELEVEN
- CONSTANTINOPLE
- Omeir
- Anna
- Omeir
- TWELVE
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- THIRTEEN
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- Anna
- FOURTEEN
- THE ARGOS
- Konstance
- LONDON
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- FIFTEEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- SIXTEEN
- FOUR MILES WEST OF CONSTANTINOPLE
- Anna
- SEVENTEEN
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- EIGHTEEN
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- NINETEEN
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- TWENTY
- EIGHT MILES WEST OF CONSTANTINOPLE
- Omeir
- TWENTY-ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- THE ARGOS
- Konstance
- TWENTY-TWO
- IDAHO STATE CORRECTIONAL INSTITUTION
- Seymour
- TWENTY-THREE
- NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Anna
- THAT SAME RAVINE
- Omeir
- TWENTY-FOUR
- BOISE, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EPILOGUE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- QAANAAQ
- Konstance
- Author’s Note
- Acknowledgments
- A Scribner Reading Group Guide
- More from the Author
- About the Author
- ALSO BY ANTHONY DOERR
The gray one suckles on its bent-twig legs; the firstborn remains wet and folded in the ferns. Grandfather sighs, but just then the first calf stands, and takes a step toward them as if to say, “Which of you doubted me?” and Grandfather and Omeir laugh, and the family’s wealth is doubled.
Grandfather warns that it will be a challenge for Beauty to produce enough milk for two, but she proves up to the task, grazing nonstop in the lengthening daylight, and the calves grow swiftly and without pause. They name the brown one Tree, the gray one Moonlight.
Tree likes to keep his hooves clean, bleats if his mother dips out of sight, and will stand patiently for half a morning while Omeir picks burrs out of his coat. Moonlight, on the other hand, is always trotting somewhere to investigate moths, toadstools, or stumps; he nibbles ropes and chains, eats sawdust, wades in mud up to his knees, gets a horn stuck in a dead tree and bawls for help. What the two calves share from the start is an adoration for the boy, who feeds them by hand, who strokes their muzzles, who often wakes in the byre outside the cottage with their big, warm bodies wrapped around his. They play hide-and-seek and race-to-Beauty with him; they stomp through spring puddles together amid glittering clouds of flies; they seem to accept Omeir as a brother.
Before their first full moon, Grandfather fits them to a yoke. Omeir loads the dray with stones, picks up a goad stick, and begins to work them. Step in, step out, gee means right, haw means left, whoa means stop—at first the calves pay the boy no mind. Tree refuses to back up and be hitched to the load; Moonlight tries to dislodge the yoke on every available tree. The dray tips, the stones roll off, the calves go to their knees, bawling, and old Leaf and Needle look up from their grazing and shake their grizzled heads as though amused.
“What creature,” laughs Nida, “would trust someone with a face like that?”
“Show them that you can meet all of their needs,” says Grandfather.
Omeir starts again. He taps them on the knees with the goad; he clucks and whistles; he whispers in their ears. That summer the mountain turns as green as anyone can remember, and the grasses shoot high, and his mother’s hives grow heavy with honey, and for the first time since being driven from the village, the family has plenty to eat.
The horns of Moonlight and Tree spread, their rumps thicken, their chests broaden; by the time they are castrated, they are bigger than their mother, and make Leaf and Needle look slight. Grandfather says that if you listen hard enough you can hear them growing, and although Omeir is pretty sure that Grandfather is joking, when no one is looking, he presses an ear to Moonlight’s huge rib and shuts his eyes.