Chapters (166)
- Title Page
- Dedication
- Epigraph
- PROLOGUE
- THE ARGOS
- Konstance
- ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- Seymour
- Zeno
- TWO
- CONSTANTINOPLE
- Anna
- A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- THREE
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- FOUR
- THE ARGOS
- Konstance
- FIVE
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- Zeno
- SIX
- CONSTANTINOPLE
- Anna
- THE ROAD TO EDIRNE
- Omeir
- Anna
- SEVEN
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EIGHT
- THE ROAD TO CONSTANTINOPLE
- Omeir
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- NINE
- KOREA
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- Zeno
- Seymour
- Konstance
- TEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- ELEVEN
- CONSTANTINOPLE
- Omeir
- Anna
- Omeir
- TWELVE
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- THIRTEEN
- CONSTANTINOPLE
- Anna
- Omeir
- Anna
- Omeir
- Anna
- Omeir
- Anna
- FOURTEEN
- THE ARGOS
- Konstance
- LONDON
- Zeno
- LAKEPORT, IDAHO
- Seymour
- THE ARGOS
- Konstance
- FIFTEEN
- THE LAKEPORT PUBLIC LIBRARY
- Seymour
- Zeno
- Seymour
- SIXTEEN
- FOUR MILES WEST OF CONSTANTINOPLE
- Anna
- SEVENTEEN
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- EIGHTEEN
- THE ARGOS
- Konstance
- LAKEPORT, IDAHO
- Zeno
- THE ARGOS
- Konstance
- NINETEEN
- LAKEPORT, IDAHO
- Seymour
- Zeno
- Seymour
- TWENTY
- EIGHT MILES WEST OF CONSTANTINOPLE
- Omeir
- TWENTY-ONE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- Seymour
- Zeno
- THE ARGOS
- Konstance
- TWENTY-TWO
- IDAHO STATE CORRECTIONAL INSTITUTION
- Seymour
- TWENTY-THREE
- NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
- Anna
- THAT SAME RAVINE
- Omeir
- TWENTY-FOUR
- BOISE, IDAHO
- Seymour
- THE ARGOS
- Konstance
- EPILOGUE
- THE LAKEPORT PUBLIC LIBRARY
- Zeno
- QAANAAQ
- Konstance
- Author’s Note
- Acknowledgments
- A Scribner Reading Group Guide
- More from the Author
- About the Author
- ALSO BY ANTHONY DOERR
The doctor suggests jigsaw puzzles to maintain Mrs. Boydstun’s fine-motor skills, so he orders a new one every week from Lakeport Drug, and becomes accustomed to finding the little pieces all over the house: in the basins of sinks, stuck to the bottom of his shoe, in the dustpan when he sweeps the kitchen. A splotch of cloud, a segment of the Titanic’s smokestack, a section of a cowboy’s bandanna. Inside a terror creeps: that things will be like this forever, that this will be all there ever is. Breakfast, work, supper, dishes, a half-completed jigsaw of the Hollywood sign on the dining table, forty of its pieces on the floor. Life. Then the cold dark.
Traffic increases on the road up from Boise, and most of the county plowing shifts to night. He pursues the beams of his headlights through the dark, beating back the snow, and some mornings, at the end of his shift, rather than go directly home, he parks in front of the library and lingers between the shelves.
There’s a new librarian now, Mrs. Raney, who mostly lets him be. At first Zeno sticks to National Geographic magazines: macaws, Inuits, camel trains, the photographs stirring some latent restlessness inside. He inches his way into History: the Phoenicians, the Sumerians, the Jōmon period of Japan. He drifts past the little collection of Greeks and Romans—the Iliad, a few plays by Sophocles, no sign of a lemon-yellow copy of The Odyssey—but cannot bring himself to pull anything off the shelf.
Occasionally he gathers the courage to share tidbits of what he has read with Mrs. Boydstun: ostrich hunting in ancient Libya, tomb painting in Tarquinia. “The Mycenaeans revered spirals,” he says one night. “They painted them on wine cups and masonry and gravestones, on the armored breastplates of their kings. But no one knows why.”
From Mrs. Boydstun’s nostrils gush twin columns of smoke. She sets down her glass of Old Forester and pokes through her puzzle pieces. “Why,” she says, “would anyone ever want to know about that?”
Out the kitchen window curtains of snow blow through the dusk.