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Chapters (166)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. THE ARGOS
  6. Konstance
  7. ONE
  8. THE LAKEPORT PUBLIC LIBRARY
  9. Zeno
  10. Seymour
  11. Zeno
  12. Seymour
  13. Zeno
  14. TWO
  15. CONSTANTINOPLE
  16. Anna
  17. A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  18. Omeir
  19. Anna
  20. Omeir
  21. Anna
  22. Omeir
  23. THREE
  24. LAKEPORT, IDAHO
  25. Zeno
  26. LAKEPORT, IDAHO
  27. Seymour
  28. Zeno
  29. Seymour
  30. FOUR
  31. THE ARGOS
  32. Konstance
  33. FIVE
  34. THE LAKEPORT PUBLIC LIBRARY
  35. Seymour
  36. Zeno
  37. Seymour
  38. Zeno
  39. SIX
  40. CONSTANTINOPLE
  41. Anna
  42. THE ROAD TO EDIRNE
  43. Omeir
  44. Anna
  45. SEVEN
  46. KOREA
  47. Zeno
  48. LAKEPORT, IDAHO
  49. Seymour
  50. THE ARGOS
  51. Konstance
  52. EIGHT
  53. THE ROAD TO CONSTANTINOPLE
  54. Omeir
  55. CONSTANTINOPLE
  56. Anna
  57. Omeir
  58. Anna
  59. NINE
  60. KOREA
  61. Zeno
  62. LAKEPORT, IDAHO
  63. Seymour
  64. THE ARGOS
  65. Konstance
  66. Zeno
  67. Seymour
  68. Konstance
  69. TEN
  70. THE LAKEPORT PUBLIC LIBRARY
  71. Seymour
  72. Zeno
  73. Seymour
  74. ELEVEN
  75. CONSTANTINOPLE
  76. Omeir
  77. Anna
  78. Omeir
  79. TWELVE
  80. THE ARGOS
  81. Konstance
  82. LAKEPORT, IDAHO
  83. Zeno
  84. LAKEPORT, IDAHO
  85. Seymour
  86. THE ARGOS
  87. Konstance
  88. THIRTEEN
  89. CONSTANTINOPLE
  90. Anna
  91. Omeir
  92. Anna
  93. Omeir
  94. Anna
  95. Omeir
  96. Anna
  97. FOURTEEN
  98. THE ARGOS
  99. Konstance
  100. LONDON
  101. Zeno
  102. LAKEPORT, IDAHO
  103. Seymour
  104. THE ARGOS
  105. Konstance
  106. FIFTEEN
  107. THE LAKEPORT PUBLIC LIBRARY
  108. Seymour
  109. Zeno
  110. Seymour
  111. SIXTEEN
  112. FOUR MILES WEST OF CONSTANTINOPLE
  113. Anna
  114. SEVENTEEN
  115. LAKEPORT, IDAHO
  116. Zeno
  117. THE ARGOS
  118. Konstance
  119. LAKEPORT, IDAHO
  120. Zeno
  121. EIGHTEEN
  122. THE ARGOS
  123. Konstance
  124. LAKEPORT, IDAHO
  125. Zeno
  126. THE ARGOS
  127. Konstance
  128. NINETEEN
  129. LAKEPORT, IDAHO
  130. Seymour
  131. Zeno
  132. Seymour
  133. TWENTY
  134. EIGHT MILES WEST OF CONSTANTINOPLE
  135. Omeir
  136. TWENTY-ONE
  137. THE LAKEPORT PUBLIC LIBRARY
  138. Zeno
  139. Seymour
  140. Zeno
  141. THE ARGOS
  142. Konstance
  143. TWENTY-TWO
  144. IDAHO STATE CORRECTIONAL INSTITUTION
  145. Seymour
  146. TWENTY-THREE
  147. NINE MILES FROM A WOODCUTTERS’ VILLAGE IN THE RHODOPE MOUNTAINS OF BULGARIA
  148. Anna
  149. THAT SAME RAVINE
  150. Omeir
  151. TWENTY-FOUR
  152. BOISE, IDAHO
  153. Seymour
  154. THE ARGOS
  155. Konstance
  156. EPILOGUE
  157. THE LAKEPORT PUBLIC LIBRARY
  158. Zeno
  159. QAANAAQ
  160. Konstance
  161. Author’s Note
  162. Acknowledgments
  163. A Scribner Reading Group Guide
  164. More from the Author
  165. About the Author
  166. ALSO BY ANTHONY DOERR

The sleet turns to snow and she sends a prayer through the roof that if her son has some role to play in this world could he please be spared. But in the last hours before dawn she wakes to find Grandfather standing over her. Shrouded in his oxhide cape with snow on his shoulders he looks like a phantom from a woodcutter’s song, a monster accustomed to doing terrible things, and though she tells herself that by morning the boy will join her husband on thrones in a garden of bliss, where milk pours from stones and honey runs in streams and winter never comes, the feeling of handing him over is a feeling like handing over one of her lungs.

Cocks crow, wheel rims crunch snow, the cottage brightens, and horror strikes her anew. Her husband drowned, the horse with him. The girls wash and pray and milk Beauty the cow and bring fodder to Leaf and Needle and cut pine twigs for the goat to chew and morning turns to afternoon but still she cannot summon the energy to rise. Frost in the blood, frost in the mind. Her son crosses the river of death now. Or now. Or now.

Before dusk, the dogs growl. She rises and limps to the doorway. A gust of wind, high on the mountain, lifts a cloud of glitter from the trees. The pressure in her breasts nears intolerable.

For a long moment nothing else happens. Then Grandfather comes down the river road on the mare with something bundled across the saddle. The dogs explode; Grandfather dismounts; her arms reach to take what he carries even as her mind says she should not.

The child is alive. His lips are gray and his cheeks are ashen but not even his tiny fingers are blackened with frost.

“I took him to the high grove.” Grandfather heaps wood onto the fire, blows the embers into flames; his hands tremble. “I set him down.”

She sits as close to the fire as she dares and this time braces the infant’s chin and jaw with her right hand, and with her left expresses jets of milk down the back of his throat. Milk leaks from the baby’s nose and from the gap in his palate, but he swallows. The girls slip through the doorway, boiling with the mystery of it, and the flames rise, and Grandfather shivers. “I got back on the horse. He was so quiet. He just looked up into the trees. A little shape in the snow.”

The child gasps, swallows again. The dogs whine outside the door. Grandfather looks at his shaking hands. How long before the rest of the village learns of this?

“I could not leave him.”