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  2. Anaïs Nin

When she cooked, the entire kitchen was galvanized by the strength she put into it; the dishes, pans, knives, everything bore the brunt of her strength, everything was violently marshaled, challenged, forced to bloom, to cook, to boil. The vegetables were peeled as if the skins were torn from their resisting flesh, as if they were the fur of animals being peeled by the hunters. The fruit was stabbed, assassinated, the lettuce was murdered with a machete. The flavoring was poured like hot lava and one expected the salad to wither, shrivel instantly. The bread was sliced with a vigor which recalled heads falling from the guillotine. The bottles and glasses were knocked hard against each other as in bowling games, so that the wine, beer, and water were conquered before they reached the table.

What was concocted in this cuisine reminded one of the sword swallowers at the fair, the fire-eaters and the glass-eaters of the Hindu magic sects. The same chemicals were used in the cooking as were used in the composition of her own being: only those which caused the most violent reaction, contradiction, and teasing, the refusal to answer questions but the love of putting them, and all the strong spices of human relationship which bore a relation to black pepper, paprika, soybean sauce, ketchup and red peppers. In a laboratory she would have caused explosions. In life she caused them and was afterwards aghast at the damage. Then she would hurriedly set about to atone for the havoc, for the miscarried phrase, the fatal honesty, the reckless act, the disrupting scene, the explosive and catastrophic attack. Everywhere, after the storms of her appearance, there was emotional devastation. Contacts were broken, faiths withered, fatal revelations made. Harmony, illusion, equilibrium were annihilated. The next day she herself was amazed to see friendships all askew, like pictures after an earthquake.

The storms of doubt, the quick cloudings of hypersensitivity, the bursts of laughter, the wet furred voice charged with electrical vibrations, the resonant quality of her movements, left many echoes and vibrations in the air. The curtains continued to move after she left. The furniture was warm, the air was whirling, the mirrors were scarred from the exigent way she extracted from them an ever unsatisfactory image of herself.

Her red hair was as unruly as her whole self; no comb could dress it. No dress would cling and mould her, but every inch of it would stand out like ruffled feathers. Tumult in orange, red and yellow and green quarreling with each other. The rose devoured the orange, the green and blue overwhelmed the purple. The sport jacket was irritated to be in company with the silk dress, the tailored coat at war with the embroidery, the everyday shoes at variance with the turquoise bracelet. And if at times she chose a majestic hat, it sailed precariously like a sailboat on a choppy sea.

Did she dream of being the appropriate mate for the Centaur, for the Viking, for the Pioneer, for Attila or Genghis Khan, of being magnificently mated with Conquerors, the Inquisitioners or Emperors?