Chapters (20)
- by
- Preface
- Ladders to Fire
- Main Characters
- Publishing History
- Prologue
- This Hunger
- Bread and the Wafer
- Children of the Albatross
- Main Characters
- Introduction
- The Sealed Room
- The Café
- The Four-Chambered Heart
- Beginning
- A Spy in the House of Love
- Publishing History
- Seduction of the Minotaur
- About the Author
- More Titles from Sky Blue Press
The Rue de la Santé, the Rue Dolent, the Rue des Saint Pères became Bombay, Ladoma, Budapest, Lavinia.
The cities of the interior were like the city of Fez, intricate, endless, secret and unchartable.
Then she saw Jay sitting at the café table with Lillian, Donald, Michael, Sabina and Rango, and she joined them.
Faustin the Zombie, as everyone called him, awakened in a room he thought he had selected blindly but which gave the outward image of his inner self as accurately as if he had turned every element of himself into a carpet or a piece of furniture.
First of all it was not accessible to the door when it opened, but had to be reached by a dark and twisted corridor. Then he had contrived to cover the windows in such a manner with a glazed material that the objects, books and furniture appeared to be conserved in a storage room, to be at once dormant and veiled. The odor they emitted was the odor of hibernation.
One expected vast hoods to fall over the chairs and couch. Certain chairs were dismally isolated and had to be forcibly dragged to enter into relation with other chairs. There was an inertia in the pillows, an indifference in the wilted texture of the couch cover. The table in the center of the room blocked all passageways, the lamp shed a tired light. The walls absorbed the light without throwing it back.
His detachment affected the whole room. Objects need human warmth like human beings to bloom. A lamp sheds a meager or a prodigal light according to one's interior lighting. Even specks of dust are inhabited by the spirit of the master. There are rooms in which the dust is brilliant. There are rooms in which even carelessness is alive, as the disorder of someone rushing to more important matters. But here in Faustin's room there was not even the disorder caused by emotional draughts!
The walls of the rooming house were very thin, and he could hear all that took place in the other rooms.
This morning he awakened to a clear duet between a man and a woman.
Man: It's unbelievable, we've been together six years now, and I still have an illusion about you! I've never had this as long with any woman.
Woman: Six years!
Man: I'd like to know how often you have been unfaithful.
Woman: Well, I don't want to know how many times you were.
Man: Oh, me, only a few times. Whenever you went away and I'd get lonely and angry that you had left me. One summer at the beach...do you remember the model Colette?
Woman: I didn't ask you. I don't want to know.
Man: But I do. I know you went off with that singer. Why did you? A singer. I couldn't make love to a singer!
Woman: But you made love to a model.