Back Cities of the Interior
Chapters (20)
  1. by
  2. Preface
  3. Ladders to Fire
  4. Main Characters
  5. Publishing History
  6. Prologue
  7. This Hunger
  8. Bread and the Wafer
  9. Children of the Albatross
  10. Main Characters
  11. Introduction
  12. The Sealed Room
  13. The Café
  14. The Four-Chambered Heart
  15. Beginning
  16. A Spy in the House of Love
  17. Publishing History
  18. Seduction of the Minotaur
  19. About the Author
  20. More Titles from Sky Blue Press
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Others who came to the pool were of the fraternity who liked to break laws, who liked to steal their pleasures, who liked the feeling that at any time the hotel watchman might appear at the top of the long stairs; they knew his voice would not carry above the hissing sea, and that as he was too lazy to walk downstairs he would merely turn off the lights as if this were enough to disperse the transgressors. To be forced to swim in the darkness and slip away from the pool in darkness was not, as the watchman believed, a punishment, but an additional pleasure.

In the darkness one became even more aware of the softness of the night, of pulsating life in the muscles, of the pleasure of motion. The silence that ensued was the silence of conspiracy and at this hour everyone dropped his disguises and spoke from some realm of innocence preserved from the corrosion of convention.

The Doctor would come to the pool, leaving his valise at the hotel desk. He talked as if he wanted to forget that everyone needed him, and that he had little time for pleasure or leisure. But Lillian felt that he never rested from diagnosis. It was as if he did not believe anyone free of pain, and could not rest until he had placed his finger on the core of it.

Lillian now sat in one of the white string chairs that looked like flattened harps, and played abstractedly with the white cords as if she were composing a song.

The Doctor watched her and said: "I can't decide which of the two drugs you need: the one for forgetting or the one for remembering."

Lillian abandoned the harp chair and slipped into the pool, floating on her back and seeking immobility.

"Golconda is for forgetting, and that's what I need," she said, laughing.

"Some memories are imbedded in the flesh like splinters," said the Doctor, "and you have to operate to get them out."

She swam underwater, not wanting to hear him, and then came up nearer to where he sat on the steps and said: "Do I really seem to you like someone with a splinter in her flesh?"

"You act like a fugitive."

She did not want to be touched by the word. She plunged into the deep water again as if to wash her body of all memories, to wash herself of the past. She returned gleaming, smooth, but not free. The word had penetrated and caused an uneasiness in her breast like that caused by diminished oxygen. The search for truth was like an explorer's deep-sea diving, or his climb into impossible altitudes. In either case it was a problem of oxygen, whether you went too high or too low. Any world but the familiar neutral one caused such difficulty in breathing. It may have been for this reason that the mystics believed in a different kind of training in breathing for each different realm of experience.