Chapters (20)
- by
- Preface
- Ladders to Fire
- Main Characters
- Publishing History
- Prologue
- This Hunger
- Bread and the Wafer
- Children of the Albatross
- Main Characters
- Introduction
- The Sealed Room
- The Café
- The Four-Chambered Heart
- Beginning
- A Spy in the House of Love
- Publishing History
- Seduction of the Minotaur
- About the Author
- More Titles from Sky Blue Press
"It must take great courage to give to many what one often gives but to the loved one. A voice altered by love, desire, the smile of open naked tenderness. We are permitted to witness the exposure of all feelings, tenderness, anger, weakness, abandon, childishness, fear, all that we usually reveal only to the loved one. That is why we love the actress. They give us the intimate being who is only revealed in the act of love. We receive all the treasures, a caressing glance, an intimate gesture, the secret ranges of the voice. This openness, which is closed again as soon as we face a partial relationship, the one who understands only one part of us, is the miraculous openness which takes place in whole love. And so I witnessed, on the stage, this mystery of total love which in my life is hidden from me. And now, Sabina, I cannot bear the little loves, and yet I cannot claim all of yours, and every day I see you now, immense, complete, and I but a fragment, wandering..."
Sabina touched the letter which rested on her breast, the sharp corners of the pages hurting her a little... "What can I give you?" he asked. "What have I to give you?" he cried out in anguish, thinking this was the reason why he had not seen her for three days, or heard from her. Another time he had said playfully: "I can only nibble at you." And had pressed his small, perfect teeth into her shoulder.
The ascensions of the ballet dancers into space and their return to the ground, brought before her eyes a Japanese umbrella made of colored paper which she once wore in her hair. It was lovely to see, so delicately made. When it rained and others opened their umbrellas then it was time for her to close hers.
But a high wind had torn it, and when she went into Chinatown to buy another the woman who ran the shop shouted violently: "It's made in Japan, throw it in the gutter!"
Sabina had looked at the parasol, innocent and fragile, made in a moment of peace by a workman dreaming of peace, made like a flower, lighter than war and hatred. She left the shop and looked down at the gutter and could not bring herself to throw it. She folded it quietly, folded tender gardens, the fragile structure of dream, a workman's dream of peace, innocent music, innocent workman whose hands had not made bullets. In time of war hatred confused all the values, hatred fell upon cathedrals, paintings, music, rare books, children, the innocent passersby.
She folded the letter, as she had folded the parasol, out of sight of hatred and violence. She could not keep pace with the angry pulse of the world. She was engaged in a smaller cycle, the one opposite to war. There were truths women had been given to protect while the men went to war. When everything would be blown away, a paper parasol would raise its head among the debris, and man would be reminded of peace and tenderness.