Chapters (20)
- by
- Preface
- Ladders to Fire
- Main Characters
- Publishing History
- Prologue
- This Hunger
- Bread and the Wafer
- Children of the Albatross
- Main Characters
- Introduction
- The Sealed Room
- The Café
- The Four-Chambered Heart
- Beginning
- A Spy in the House of Love
- Publishing History
- Seduction of the Minotaur
- About the Author
- More Titles from Sky Blue Press
Cages crowded his room, some of bamboo from the Philippines, some in gilt, wrought with intricate designs from Persia, others peaked like tents, others like miniature adobe houses, others like African huts of palm leaves. To some of the cages he himself had added turrets, towers from the Middle Ages, trapezes and baroque ladders, bathtubs made of mirrors, and a complete miniature jungle sufficient to give these prisons the illusion of freedom to any wild or mechanical bird imprisoned in them.
"I prefer empty cages, Sabina, until I find a unique bird I once saw in my dreams."
Sabina placed The Firebird on the phonograph. The delicate footsteps of the Firebird were heard at first through infinite distance, each step rousing the phosphorescent sparks from the earth, each note a golden bugle to marshal delight. A jungle of dragon tails thrashing in erotic derisions, a brazier of flesh-smoking prayers, the multiple debris of the stained glass fountains of desire.
She lifted the needle, cut the music harshly in mid-air. "Why? Why? Why?" cried Donald, as if wounded.
Sabina had silenced the firebirds of desire, and now she extended her arms like widely extended wings, wings no longer orange, and Donald gave himself to their protective embrace. The Sabina he embraced was the one he needed, the dispenser of food, of fulfilled promises, of mendings and knitting, comforts and solaces, of blankets and reassurances, of heaters, medicines, potions and scaffolds.
"You're the firebird, Sabina, and that was why, until you came, all my cages were empty. It was you I wanted to capture." Then with a soft, a defeated tenderness he lowered his eyelashes and added: "I know I have no way to keep you here, nothing to hold you here..."
Her breasts were no longer tipped with fire, they were the breasts of the mother, from which flowed nourishment. She deserted her other loves to fulfill Donald's needs. She felt: "I am a woman, I am warm, tender and nourishing. I am fecund and I am good."
Such serenity came with this state of being woman the mother! The humble, the menial task-performing mother as she had known her in her own childhood.
When she found chaotic, hasty little notes from Donald telling her where he was and when he would return he always ended them: "You are wonderful. You are wonderful and good. You are generous and kind."
And these words calmed her anxiety more than sensual fulfillment had, calmed her fevers. She was shedding other Sabinas, believing she was shedding anxiety. Each day the colors of her dresses became more subdued, her walk less animal. It was as if in captivity her brilliant plumage were losing its brilliance. She felt the metamorphosis. She knew she was molting. But she did not know what she was losing in molding herself to Donald's needs.
Once, climbing his stairs with a full market bag, she caught dim silhouette of herself on a damp mirror, and was startled to see a strong resemblance to her mother.