Back Cities of the Interior
Chapters (20)
  1. by
  2. Preface
  3. Ladders to Fire
  4. Main Characters
  5. Publishing History
  6. Prologue
  7. This Hunger
  8. Bread and the Wafer
  9. Children of the Albatross
  10. Main Characters
  11. Introduction
  12. The Sealed Room
  13. The Café
  14. The Four-Chambered Heart
  15. Beginning
  16. A Spy in the House of Love
  17. Publishing History
  18. Seduction of the Minotaur
  19. About the Author
  20. More Titles from Sky Blue Press

Dressed in red and silver, she evoked the sounds and imagery of fire engines as they tore through the streets of New York, alarming the heart with the violent gong of catastrophe; all dressed in red and silver, the tearing red and silver cutting a pathway through the flesh. The first time he looked at her he felt: everything will burn!

Out of the red and silver and the long cry of alarm to the poet who survives in all human beings, as the child survives in him; to this poet she threw an unexpected ladder in the middle of the city and ordained, "Climb!"

As she appeared, the orderly alignment of the city gave way before this ladder one was invited to climb, standing straight in space like the ladder of Baron Münchhausen which led to the sky.

Only her ladder led to fire.

He looked at her again with a professional frown.

She could not sit still. She talked profusely and continuously with a feverish breathlessness like one in fear of silence. She sat as if she could not bear to sit for long; and, when she rose to buy cigarettes, she was equally eager to return to her seat. Impatient, alert, watchful, as if in dread of being attacked, restless and keen, she drank hurriedly; she smiled so swiftly that he was not even certain it had been a smile; she listened only partially to what was being said to her; and, even when someone in the bar leaned over and shouted a name in her direction, she did not respond at first, as if it were not her own.

"Sabina!" shouted the man from the bar, leaning towards her perilously but not losing his grip on the back of his chair for fear of toppling.

Someone nearer to her gallantly repeated the name for her, which she finally acknowledged as her own. At this moment, the lie detector threw off the iridescence which the night, the voice, the drug of sleep and her presence had created in him, and determined that she behaved like someone who had all the symptoms of guilt: her way of looking at the door of the bar, as if expecting the proper moment to make her escape; her unpremeditated talk, without continuity; her erratic and sudden gestures, unrelated to her talk; the chaos of her phrases; her sudden, sulky silences.

As friends drifted towards her, sat with her, and then drifted away to other tables, she was forced to raise her voice, usually low, to be heard above the cajoling blues.

She was talking about a party at which indistinct incidents had taken place, hazy scenes from which the lie detector could not distinguish the heroine or the victim; talking a broken dream, with spaces, reversals, retractions, and galloping fantasies. She was now in Morocco visiting the baths with the native women, sharing their pumice stone, and learning from the prostitutes how to paint her eyes with kohl from the market place. "It's coal dust, and you place it right inside the eyes. It smarts at first, and you want to cry; but that spreads it out on the eyelids, and that is how they get that shiny, coal black rim around the eyes."