Chapters (20)
- by
- Preface
- Ladders to Fire
- Main Characters
- Publishing History
- Prologue
- This Hunger
- Bread and the Wafer
- Children of the Albatross
- Main Characters
- Introduction
- The Sealed Room
- The Café
- The Four-Chambered Heart
- Beginning
- A Spy in the House of Love
- Publishing History
- Seduction of the Minotaur
- About the Author
- More Titles from Sky Blue Press
She laughed again, with her entire body, even her feet, marking the rhythm of her gaiety, stamping the ground like a delighted spectator, while her strong thighs rocked the chair like an Amazon's wooden horse.
One evening while Djuna was waiting for Rango at the barge, she heard a footstep which was not the watchman's and not Rango's.
The shadows of the candles on the tarpapered walls played a scene from a Balinese theatre as she moved toward the door and called: "Who's there?"
There was a complete silence, as if the river, the barge, and the visitor had connived to be silent at the same moment, put a tension in the air which she felt like a vibration through her body.
She did not know what to do, whether to stay in the room and lock the door, awaiting Rango, or to explore the barge. If she stayed in the room quietly and watched for his coming, she could shout a warning to him out of the window, and then together they might corner the intruder.
She waited.
The shadows on the walls were still, but the reflections of the lights on the river played on the surface like a ghost's carnival. The candles flickered more than usual, or was it her anxiety?
When the wood beams ceased to creak, she heard the footsteps again, moving toward the room, cautiously but not light enough to prevent the boards from creaking.
Djuna took her revolver from under her pillow, a small one which had been given to her and which she did not know how to use.
She called out: "Who is there? If you come any nearer, I'll shoot."
She knew there was a safety clasp to open. She wished Rango would arrive. He had no physical fear. He feared truth, he feared to confront his motives, feared to face, to understand, to examine in the realm of feelings and thought, but he did not fear to act, he did not fear physical danger. Djuna was intrepid in awareness, in painful exposures of the self, and dared more than most in matter of emotional surgery, but she had a fear of violence.
She waited another long moment, put again the silence was complete, suspended.
Rango did not come.
Out of exhaustion, she lay down with her revolver in hand.
The doors and windows were locked. She waited, listening for Rango's uneven footsteps on the deck.
The candles burnt down one by one, gasping out their last flame, throwing one last long, agonized skeleton on the wall.
The river rocked the barge.
Hours passed and Djuna fell into a half sleep.
The catch of the door was gradually lifted off the hinge by some instrument or other and Zora stood at the opened door.
Djuna saw her when she was bending over her, and screamed.