Back Cities of the Interior
Chapters (20)
  1. by
  2. Preface
  3. Ladders to Fire
  4. Main Characters
  5. Publishing History
  6. Prologue
  7. This Hunger
  8. Bread and the Wafer
  9. Children of the Albatross
  10. Main Characters
  11. Introduction
  12. The Sealed Room
  13. The Café
  14. The Four-Chambered Heart
  15. Beginning
  16. A Spy in the House of Love
  17. Publishing History
  18. Seduction of the Minotaur
  19. About the Author
  20. More Titles from Sky Blue Press

It was as if true compassion should be reserved for troubles not exploited, but of recent occurrence and deeply felt. The poverty of the professional lamenter was an asset rather than a tragedy.

Djuna wanted to forget her intuition, in favor of the tradition which dictated that a beggar's needs cannot be judged, because there is a noblesse oblige which dictates: his cup is empty and yours is full, therefore there is only one action possible; and even if an investigation revealed the beggar not to be blind and to have amassed a fortune under his pallet, even then, such hesitations before an empty cup are so distressing that the role of the believer is easier, easier to be deceived than to doubt...

Djuna was sometimes disconcerted by the shrewd look in Zora's eyes while she detailed her day's hardships; as startled to catch this expression as to see a blind man who was crossing the street alone and walking into danger—causing you a sharp compassion—to see him suddenly turn upon you eyes fully aware of the impending danger.

But Djuna wanted to believe, because Rango believed. She discarded this first glimpse of Zora's second face as people often discard first intuitions until they reach the end of a friendship, the end of a love, and then this long-buried first impression reappears only to prove that the animal senses in human beings warning them clearly of dangers, of traps, may be accurate but are often discarded in favor of a blind compulsion in the opposite direction to that of self-preservation. Proving that human beings have a sense of danger but that some other desire, some other compulsion, lures and draws them precisely toward these traps, toward self-destruction.

Djuna felt now like a puppet. She felt the need to give Rango a perpetually healthy, perpetually spirited woman because at home he had a perpetually sick, depressed wife. Rango's needs set the tone, mood, and activities of her days. She obeyed the strings blindly. She allowed Rango's anxieties to infect her, merely so he would not be alone with his burden. The strings were in Zora's hands. The hierarchy was firmly established: if Zora had a cold, a headache, Rango must stay at home (even if this cold were caused by Zora washing her hair in the middle of a winter day and going out with her hair still wet). It was forbidden to rebel or question the origin of the trouble, or to suggest that Zora might consider others, consider preventing these troubles.

Zora could not cook, could not shop, could not clean, she could not be alone at night. If friends came to see her, Rango must be at home to save her pride.

When Djuna had first known Rango he spent most of his nights out at the café. Often he did not come home till dawn, and oftener still he did not come home at all when he was spending a night with one of his mistresses.