Chapters (20)
- by
- Preface
- Ladders to Fire
- Main Characters
- Publishing History
- Prologue
- This Hunger
- Bread and the Wafer
- Children of the Albatross
- Main Characters
- Introduction
- The Sealed Room
- The Café
- The Four-Chambered Heart
- Beginning
- A Spy in the House of Love
- Publishing History
- Seduction of the Minotaur
- About the Author
- More Titles from Sky Blue Press
Michael felt inexplicably angry that Donald should like the rhinoceros and not the weasel. That he should admire the toughness of the rhinoceros skin, as if he were betraying him, expressing the wish that Michael should be less vulnerable.
How how how could Michael achieve invulnerability when every gesture Donald made was in a different rhythm from his own, when he remained uncapturable even at the moments when he gave himself.
Donald was singing:
in the new man the child
and the new not new
the new not new
the new not new
Then he sat down to write a letter, and the way he wrote his letter was so much in the manner of a schoolboy, with the attentiveness born of awkwardness, an unfamiliarity with concentration, an impatience to have the task over and done with that the little phrase in his song which Michael had not allowed to become audible to his heart now became louder and more ominous: in the new man the child.
As Donald sat biting the tip of his pen, Michael could see him preparing to trip, skip, prance, laugh, but always within a circle in which he admitted no partner.
To avoid the assertion of a difference which would be emphasized in a visit to the zoo, Michael tempted Donald with a visit to the Flea Market, knowing this to be one of Donald's favorite rambles.
There, exposed in the street, on the sidewalk, lay all the objects the imagination could produce and summon.
All the objects of the world with the added patina of having been possessed already, loved and hated, worn and discarded.
But there, as Michael moved and searched deliberately he discovered a rare book on astronomy, and Donald found the mechanism of a music box without the box, just a skeleton of fine wires that played delicately in the palm of his hand. Donald placed it to his ear to listen and then said: "Michael, buy me this music box. I love it."
In the open air it was scarcely audible, but Donald did not offer it to Michael's ear, as if he were listening to a music not made for him.
Michael bought it for him as one buys a toy for a child, a toy one is not expected to share. And for himself he bought the book on astronomy which Donald did not even glance at.
Donald walked with the music box playing inside of his pocket, and then he wanted reindeer horns, and he wanted a Louis Fifteenth costume, and he wanted an opium pipe.
Michael studied old prints, and all his gestures were slow and lagging with a kind of sadness which Donald refused to see, which was meant to say: "Take me by the hand and let me share your games."
Could he not see, in Michael's bearing, a child imprisoned wishing to keep pace with Donald, wishing to keep pace with his prancing, wishing to hear the music of the music box?