Contents ( 82)
- Dedication
- Contents
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Acknowledgments
- About the Author
- Also by Jenny Colgan
- Copyright
- About the Publisher
“So what ees this,” said Gaspard, indicating the first butter, and Fintan took him through their processes: the difficulties of getting certified organic; how their cows were smaller, given the grass was not lush this far north but hardy and sweet; and how highland cows were some of the best out there. Gaspard mentioned something about how Brittany cows could almost certainly beat his in a fight, but Fintan didn’t really notice and, after the first bite, neither did anyone else.
Konstantin had originally been slightly taken aback by the shabbiness of the vast old farmhouse kitchen, with its range, piles of papers, back copies of Farmers Weekly, old horse brasses on the walls, a clutch of Agot’s plastic toys in the corner, and old boots lined up by the fire to dry. It wasn’t shabby chic; it was just actually shabby. The plates were mismatched, half from Eck’s old wedding service, with delicate tulips painted on them and scalloped edges, and half modern pastels Flora had ordered from the mainland for the Seaside Kitchen, with the farmhouse benefiting from the overspill and the chipped. There weren’t quite enough chairs, and even the few available were mismatched and a little wobbly on the flagstones, with the rugs here and there.
But it was filled with the scent of the coffee brewing in the little pot on the stove top, as well as the fragrance of warm bread rising in the air, and the sounds of the crackle of the fireplace, the comforting swish swish swish of the dogs’ tails, the ticktock of the ancient grandfather clock in the corner, the gentle twitter of BBC Radio nan Gàidheal in the corner, the pouring of tea into cups, and the clatter and chatter of old conversations steeped into the walls: the daily chat about the weather forecast, the grain price, the good health of sheep.
Sitting down on the least comfortable chair—he had somehow been last to choose; having been used to being offered the best of everything, it was very confusing—Konstantin found his eyes heavy, practically drifting off, as people ate and talked and the clock ticked in his ear. It had been a very stressful time.
“Konstantin? Konstantin?”
There was a voice that sounded like it was coming from far away. He was sure, suddenly, that he was, once again, in trouble for something—knocking off the bursar’s hat or spilling champagne down the exiled princess of Romania again. When he opened his eyes, though, instead he saw a group of people smiling at him. He blinked.
“What do you think of the cheese?”
“I haven’t had any cheese.”
“Your plate is empty.”
Everyone looked at Bjårk, who was licking the inside of his mouth reflectively.
“He likes it,” said Konstantin, blinking.
Gaspard’s face was grave. “You know,” he said, “of course, the only cheese I would really wish to sell is French.”
“We do know,” said Flora brightly. “But you’re not going to!”
“But if I have to—if I absolutely have to serve something else . . .”