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Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

He doesn’t ask me if the shirt looks familiar. He doesn’t come right out and confront me with what I remember about how the cyclist looked or was dressed when I encountered her twice earlier.

“It’s a T-shirt, and it’s wet, apparently covered with vomit,” is what I say. “It would appear to be recent since nothing would stay wet out here for very long.”

As he takes photographs I explain that the shirt is too messy for a paper bag. I’m going to package it in plastic but only temporarily. I’ll have the CFC truck deliver the evidence directly to my headquarters. I’ll make sure everything is properly preserved. We’ll recover any evidence from the shirt and hang it in a drying cabinet—I spell out exactly what we’ll do. Then I cover my nose and mouth with a surgical mask.

“How ’bout you go over and hang out with the two girls,” Marino says to Officer Flanders. “Keep everybody away from them, and don’t ask them nothing. Just stay with them, and the Doc and me will be right there.”

She walks off, and I hand Marino a mask. He puts it on and starts taking photographs.

“Shit,” he complains, and underbrush crackles and snaps beneath his feet as he moves around. “Some things you never get used to. Goddamn it!”

“Are you all right?”

“It’s like when some kid throws up on the bus. Then everybody does.”

“Well don’t unless you’re going to do it in a bag. Would you like one?”

“Hell no. I’ve been around worse shit than this.”

I hand him the pair of disposable forceps and he grips the shirt with them, extracting it from the rhododendron bush. He guides it over the transparent plastic bag I hold open, and I can see at a glance that the T-shirt is from a Sara Bareilles concert and it’s damaged. There are tears in the cotton fabric but I don’t notice blood. If the victim was wearing the shirt when she was attacked or injured, there should be blood on it.

Marino and I discuss this briefly because it doesn’t make sense.

“I’m not getting how her shirt came off.” He continues to poke around in the bushes. “And there’s no blood on it?”

“I need to examine it carefully, which I’m not going to do out here.”

“Unless the girls did it. Maybe they took it off the body because they wanted it.”

“Then why does it have tears in it? Why is it damaged?” I pinch the bag’s seal closed with my fingertips.

“How do we know it wasn’t already torn?” Marino says.