Back Booth
Chapters (44)
  1. Cover
  2. Also by Karen Joy Fowler
  3. Dedication
  4. Epigraph
  5. 1822
  6. Lincoln and the Perpetuation of Our Political Institutions
  7. BOOK ONE
  8. Rosalie
  9. Lincoln and the Cave of Gloom
  10. BOOK TWO
  11. Edwin
  12. Lincoln and the Merry-Begotten
  13. Lincoln and the Whigs at Sprigg’s
  14. Lincoln: Fathers and Sons
  15. Lincoln and Clay
  16. BOOK THREE
  17. Asia
  18. Lincoln and the Kansas-Nebraska Act
  19. Lincoln and the Lost Speech
  20. BOOK FOUR
  21. Rosalie
  22. Edwin
  23. Asia
  24. Rosalie
  25. Edwin
  26. Lincoln Running
  27. Asia
  28. Lincoln Goes to Kansas
  29. BOOK FIVE
  30. The Election of Abraham Lincoln
  31. Edwin
  32. Lincoln and Willie
  33. Lincoln and the Emancipation Proclamation
  34. Lincoln and the Dakota War
  35. Rosalie
  36. Asia
  37. Lincoln and Shakespeare
  38. Lincoln and the Final Act
  39. BOOK SIX
  40. April 15th, 1865
  41. Author’s Note
  42. Afterword and Acknowledgments
  43. About the Author
  44. What’s next on your reading list?
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In spite of the raving and drunkenness, the violence and temper, the Booth children all adored their father. Edwin immediately rewrites his stories from the road. He insists, with no evidence, that on that night in New York when he first played Richard III, Father came secretly to watch, that he was proud of what he saw. Edwin deeply regrets telling June that Father never cared about him. So he wasn’t Father’s favorite? He was always the one Father needed and that should have mattered more.

At night, in search of sleep, Edwin loops through their final parting—how Father laughed and said he was a pirate, how the ship and his figure disappeared into the fog. He revises this memory, works it and works it, until it becomes a reluctant parting on his side. Until he can make himself believe that this really was the case, that these really were his feelings, he can’t fall asleep.

June has a letter from Mother, a letter written to the two of them, which he gives Edwin on the day after his arrival. Edwin takes it to the small attic he’s sleeping in. He wants to read it in private. He sits on the floor beneath the tiny window, where the light is best. His knees are bent, his back hard to the wall. The handwriting is his mother’s, but also not exactly. Edwin thinks her hand must have been shaking, the words themselves seem to shiver. This letter tells both of her boys not to come home. She writes that the funeral is already over, that the family will rent out the Baltimore house and move back to the farm. Her own desires, she says, are not to be considered. The boys must remain where they are and make the best of their opportunities.

There is one point on which Edwin is quite mistaken. He believes that his father died a wealthy man. Years will pass before anyone tells him otherwise.

It seems to Edwin that the casting-out, which began on the night Mother first told him he’d be traveling with Father, is now complete. They will bury Father without him. They will live on the farm without him. He feels certain that under similar circumstances, Johnny would have been told to come straight home.

But maybe Johnny wouldn’t have failed the family so disastrously. Mostly what Edwin finds in this letter is more evidence of his despicable selfishness. His own mother can’t bear to look at him. Hamlet was less guilty.

—

A few months before Father’s departure, Edwin had promised him to play Hamlet someday. Father thought he looked the part and that, a few years further into his career, with work and diligence, he might creditably carry it. June is certain that Edwin isn’t ready.