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Chapters (44)
  1. Cover
  2. Also by Karen Joy Fowler
  3. Dedication
  4. Epigraph
  5. 1822
  6. Lincoln and the Perpetuation of Our Political Institutions
  7. BOOK ONE
  8. Rosalie
  9. Lincoln and the Cave of Gloom
  10. BOOK TWO
  11. Edwin
  12. Lincoln and the Merry-Begotten
  13. Lincoln and the Whigs at Sprigg’s
  14. Lincoln: Fathers and Sons
  15. Lincoln and Clay
  16. BOOK THREE
  17. Asia
  18. Lincoln and the Kansas-Nebraska Act
  19. Lincoln and the Lost Speech
  20. BOOK FOUR
  21. Rosalie
  22. Edwin
  23. Asia
  24. Rosalie
  25. Edwin
  26. Lincoln Running
  27. Asia
  28. Lincoln Goes to Kansas
  29. BOOK FIVE
  30. The Election of Abraham Lincoln
  31. Edwin
  32. Lincoln and Willie
  33. Lincoln and the Emancipation Proclamation
  34. Lincoln and the Dakota War
  35. Rosalie
  36. Asia
  37. Lincoln and Shakespeare
  38. Lincoln and the Final Act
  39. BOOK SIX
  40. April 15th, 1865
  41. Author’s Note
  42. Afterword and Acknowledgments
  43. About the Author
  44. What’s next onyour reading list?

Mother takes the comb from Rosalie’s hand and stands behind her. Her pale face floats in the pocked mirror above Rosalie’s own. Rosalie’s hair is thick and combing it out requires patience. Mother’s being much gentler than Rosalie, untangling the knots at the ends first, only making the long strokes from the scalp when there is nothing left to snag on. “You know I’ll always take you with me, wherever I go,” Mother says. “You know that you’ll never be left alone and uncared for as long as I’m alive.”

Ever since the deaths of Mary Ann and Elizabeth, Rosalie has believed that her job was to care for Mother. Perhaps she’s been waiting all those years to hear just this, that Mother is caring for her. Now the tears come and this is not because she’s unhappy over the move, which she is, but because Mother is there, with a face full of love, combing out Rosalie’s hair as if she were just a little girl.

xi

Eleven years after Edwin first made the offer, John has finally agreed to be Henry, Earl of Richmond, to Edwin’s Richard III. They appear together, one night only, at Baltimore’s Holliday Street Theatre, recently bought by John T. Ford. Mother, Rosalie, and Asia are all in attendance. Joe makes a show of demanding their tickets.

A box has been reserved for them, with three rocking chairs threaded with ribbons and a good view down to the stage. They’ve dressed in their best—Asia in a violet silk and Rosalie in dove gray. Mother is sticking to her widow’s black, but has dabbed her wrists and neck. The powdery scent of Héliotrope Blanc, a gift from Edwin, floats through the air along with the hum of the audience settling into their seats.

All three are determined to love both performances in absolutely equal measure, but this is complicated by the fact that they must wait so long for John to arrive onstage while Edwin is everywhere, and playing Father’s old role. The more he deviates from Father’s delivery, the more Mother whispers that she can’t help but feel that he’s doing it wrong. She just knows Father’s version so well. She could do it herself. Pause here. Sweeping hand gesture.

Edwin falls to his knees. “ ‘Take up the sword again, or take up me.’ ”

Rosalie hears Asia whispering the answer along with Lady Anne. “ ‘No! Though I wish thy death, I will not be thy executioner.’ I did that scene in school once,” Asia says, “after the first time I ever saw Father perform. I got a spanking. At home, not at school.”

“I remember,” Mother says.