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Chapters (44)
  1. Cover
  2. Also by Karen Joy Fowler
  3. Dedication
  4. Epigraph
  5. 1822
  6. Lincoln and the Perpetuation of Our Political Institutions
  7. BOOK ONE
  8. Rosalie
  9. Lincoln and the Cave of Gloom
  10. BOOK TWO
  11. Edwin
  12. Lincoln and the Merry-Begotten
  13. Lincoln and the Whigs at Sprigg’s
  14. Lincoln: Fathers and Sons
  15. Lincoln and Clay
  16. BOOK THREE
  17. Asia
  18. Lincoln and the Kansas-Nebraska Act
  19. Lincoln and the Lost Speech
  20. BOOK FOUR
  21. Rosalie
  22. Edwin
  23. Asia
  24. Rosalie
  25. Edwin
  26. Lincoln Running
  27. Asia
  28. Lincoln Goes to Kansas
  29. BOOK FIVE
  30. The Election of Abraham Lincoln
  31. Edwin
  32. Lincoln and Willie
  33. Lincoln and the Emancipation Proclamation
  34. Lincoln and the Dakota War
  35. Rosalie
  36. Asia
  37. Lincoln and Shakespeare
  38. Lincoln and the Final Act
  39. BOOK SIX
  40. April 15th, 1865
  41. Author’s Note
  42. Afterword and Acknowledgments
  43. About the Author
  44. What’s next onyour reading list?

The critics are split in their judgments. One who favors Edwin says that Forrest represents “the biceps aesthetic; the tragic calves; the bovine drama; rant, roar, and rigmarole.” Later, when Edwin’s Hamlet is described as slightly feminine, Edwin will be pleased. That is just what he was going for.

Meanwhile, in Columbus, Georgia, moments before John is to go onstage and play Hamlet, Matthew Canning, his new manager, shoots him.

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John’s relatively short career as an actor is replete with accidents and illnesses. His energetic sword fighting will regularly result in injury, either to his opponent or himself. In the course of a single play, he will stab a fellow performer and fall on his own sword, bleeding copiously but continuing his scene.

He will suffer a voice-threatening bronchitis, a life-threatening streptococcal infection, and a large tumor on his neck. His extremely active love life will occasion bouts of venereal disease, and one lover, cast aside for her own sister, will slice open his face. And he will carry always the bullet from Canning’s gun in his body.

Asia first learns of the accident when she reads about it in the paper. One of the peculiarities of the Booth family is how often they communicate via article and review. The article has a winking sort of quality, a certain delicacy in the wording. Asia gathers that John has been shot in the buttocks. In fact, the bullet is in his thigh.

By the time she rushes to Mother with the news, Edwin has already wired. He’s expected to live, Edwin says consolingly, but rather than calm Asia down, this alarms her. Nothing in the article suggested the injury was ever anything but humorous. She understands now that it’s much worse than she’d thought.

How exactly it happened remains unclear. Either John or Canning was careless with Canning’s gun. Either John had taken the gun from Canning’s pocket and it had fired as Canning tried to recover it, or Canning was laughingly threatening the whole troupe to perform well or else, and had inadvertently hit the trigger. Or something entirely different. Accounts vary. Accounts vary wildly.

John was lucky that the bullet missed the femoral artery. He had an excellent doctor, who decided against removing it; it had gone too deep for that. The doctor cleaned and bandaged the wound, had John transported to his bed with instructions to remain there. The show went on, with John’s understudy playing Hamlet. John’s recuperation lasts several weeks.