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Chapters (49)
  1. INDEX
  2. CHAPTER ONE
  3. CHAPTER TWO
  4. CHAPTER THREE
  5. CHAPTER FOUR
  6. CHAPTER FIVE
  7. CHAPTER SIX
  8. CHAPTER SEVEN
  9. CHAPTER EIGHT
  10. CHAPTER NINE
  11. CHAPTER TEN
  12. CHAPTER ELEVEN
  13. CHAPTER TWELVE
  14. CHAPTER THIRTEEN
  15. CHAPTER FOURTEEN
  16. CHAPTER FIFTEEN
  17. CHAPTER SIXTEEN
  18. CHAPTER SEVENTEEN
  19. CHAPTER EIGHTEEN
  20. CHAPTER NINETEEN
  21. CHAPTER TWENTY
  22. CHAPTER TWENTY-ONE
  23. CHAPTER TWENTY-TWO
  24. CHAPTER TWENTY-THREE
  25. CHAPTER TWENTY-FOUR
  26. CHAPTER TWENTY-FIVE
  27. CHAPTER TWENTY-SIX
  28. CHAPTER TWENTY-SEVEN
  29. CHAPTER TWENTY-EIGHT
  30. CHAPTER TWENTY-NINE
  31. CHAPTER THIRTY
  32. CHAPTER THIRTY-ONE
  33. CHAPTER THIRTY-TWO
  34. CHAPTER THIRTY-THREE
  35. CHAPTER THIRTY-FOUR
  36. CHAPTER THIRTY-FIVE
  37. CHAPTER THIRTY-SIX
  38. CHAPTER THIRTY-SEVEN
  39. CHAPTER THIRTY-EIGHT
  40. CHAPTER THIRTY-NINE
  41. CHAPTER FORTY
  42. CHAPTER FORTY-ONE
  43. EXCERPT FROM
  44. THE POET
  45. PROLOGUE
  46. CHAPTER ONE
  47. CHAPTER TWO
  48. ALSO BY LISA RENEE JONES
  49. ABOUT LISA RENEE JONES

“Find out if there are cameras anywhere. Now.” I toss my donuts onto his seat. To his credit, he doesn’t ask questions. He’s already moving, shutting his door, walking back to the donut shop. I round the vehicle, bag the note, and glance down at the message. As in the past it’s short, not at all to any point, and created with cut out of letters from a newspaper. It reads: M is for money, M is also for more, and M is for Mendez.

Again, with the jabs at Kane. What the hell is Junior’s problem? And why now? I glance at my ring and decide the timing is no accident.

I toss the note in the seat and shut the door, with me on the outside, and start walking, checking the vacant spaces and finding them all locked and dark. When all is said and done, I’ve checked the perimeter and further, and I don’t even find a suspiciously parked vehicle. I head back to the Escalade and Jay is walking toward me. “No cameras. What’s going on?”

“Someone left me a note on my door,” I say.

“Then we were followed.”

“It looks that way,” I say, but I offer nothing more.

I motion to the vehicle and we make our way in that direction. Once I’m inside, I think about the timing of the note. They first started when I returned to the Hamptons after years gone. And now, they start again when Pocher returns to the Hamptons after weeks gone.

There is no such thing as a coincidence. And I know then that whoever this is, stands close to Pocher’s side. That detail makes Junior easier to find. And I will.

CHAPTER THIRTY

Never ignore a theme in your life. And never blame that theme on someone else. You’re responsible for it, at least on some level. And if someone else is controlling the theme, then you had better fix it fast. That’s where I’m at.

For me right now, the theme of my life is “the games we play.”

My father is playing a game with my life. If that’s what you call tormenting my mother and potentially helping to plot her murder. Pocher has long been playing a game with my entire family’s lives. Emma’s killer is dragging me into a game. Junior has long been playing a game with me. And I’ve let it happen. I give Junior props, though. She, for I’ve always thought Junior a female, chooses times when I’m hunting a killer and when a note writer is not my priority. And therefore, Junior goes untouched, but not this time. This time, I will find and deal with Junior.

I won’t be sidetracked.

This time I will deal with Pocher, once and for all.