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Chapters (49)
  1. INDEX
  2. CHAPTER ONE
  3. CHAPTER TWO
  4. CHAPTER THREE
  5. CHAPTER FOUR
  6. CHAPTER FIVE
  7. CHAPTER SIX
  8. CHAPTER SEVEN
  9. CHAPTER EIGHT
  10. CHAPTER NINE
  11. CHAPTER TEN
  12. CHAPTER ELEVEN
  13. CHAPTER TWELVE
  14. CHAPTER THIRTEEN
  15. CHAPTER FOURTEEN
  16. CHAPTER FIFTEEN
  17. CHAPTER SIXTEEN
  18. CHAPTER SEVENTEEN
  19. CHAPTER EIGHTEEN
  20. CHAPTER NINETEEN
  21. CHAPTER TWENTY
  22. CHAPTER TWENTY-ONE
  23. CHAPTER TWENTY-TWO
  24. CHAPTER TWENTY-THREE
  25. CHAPTER TWENTY-FOUR
  26. CHAPTER TWENTY-FIVE
  27. CHAPTER TWENTY-SIX
  28. CHAPTER TWENTY-SEVEN
  29. CHAPTER TWENTY-EIGHT
  30. CHAPTER TWENTY-NINE
  31. CHAPTER THIRTY
  32. CHAPTER THIRTY-ONE
  33. CHAPTER THIRTY-TWO
  34. CHAPTER THIRTY-THREE
  35. CHAPTER THIRTY-FOUR
  36. CHAPTER THIRTY-FIVE
  37. CHAPTER THIRTY-SIX
  38. CHAPTER THIRTY-SEVEN
  39. CHAPTER THIRTY-EIGHT
  40. CHAPTER THIRTY-NINE
  41. CHAPTER FORTY
  42. CHAPTER FORTY-ONE
  43. EXCERPT FROM
  44. THE POET
  45. PROLOGUE
  46. CHAPTER ONE
  47. CHAPTER TWO
  48. ALSO BY LISA RENEE JONES
  49. ABOUT LISA RENEE JONES

TURN THE PAGE TO READ ABOUT WHO MY READERS ARE CALLING THE MALE LILAH LOVE: RICK SAVAGE FROM THE WALKER SECURITY WORLD! AND I’LL ALSO BE SHARING AN EXTENDED PREVIEW OF MY THRILLER, THE POET WHICH IS OUT NOW!

EXCERPT FROM

THE SAVAGE SERIES

Rick Savage meets Lilah Love…

Image

Notes: Candace is Rick Savage's girlfriend. This scene is in Savage’s point-of-view.

“Just pull us over,” I instruct. “We’ll walk.” He cuts to the curb and halts. I open the door and climb outside, offering Candace my hand, helping her out of the vehicle.

“Can we get past the blockade?”

“We don’t have to get past the blockade,” I say. “We just have to convince Lilah Love to do it for us.”

“And how do we do that?”

I wiggle a brow. “I have my ways.” I catch her hand and lead her through a gathering crowd, toward a portion of the blockade. I pinpoint a target, a plump, red-cheeked, police officer standing guard while lookie-loos hang about in front of him left and right.

I use my linebacker-ish figure to push us to the spot directly in front of the cop. A petite little woman pushes up next to us. “My husband! My husband. I need to see my husband!” She starts to sob and then it’s all hell breaking loose. She tries to go over the barricade. The cop catches her arm. She slaps him.

“Ouch,” I murmur, feeling that sting, and she didn’t even touch me. I also see an opportunity where it presents itself and I duck under the yellow tape, taking Candace with me.

“This seems like a bad idea,” Candace says as we walk in between two parked patrol cars.

“We’re good, baby. We’re good.” We clear the hoods of the cars and I eye the tape set up around a building doorway. That’s where we’ll find Lilah Love and I head in that direction, with Candace in a reluctant tow.

We’ve just reached the edge of that tape, when a brunette no more than five-foot-four, wearing jeans and a blazer, steps from the building, with an officer on her heels. She whirls on him. “Do you understand the words coming out of my mouth?”

“Agent Love—”

“You contaminated the scene. Leave.”

“Agent—”

“Do you know the difference between an apple and an orange?”

The cop bristles. “Of course I know the difference between an apple and an orange.”

“Then one such as myself can assume you know the difference between stay and go. Go.” She motions to another cop. “Get him out of here.”

The shoulders of the fuckup cop bunch, but he rotates and walks away. Agent Love turns back toward the building door.

“Agent Lilah Love.” She turns at her name and glances in our direction, closing the space between us.

“Who are you?” she demands. “And why are you inside my crime scene?”

“Rick Savage,” I say.