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Chapters (49)
  1. INDEX
  2. CHAPTER ONE
  3. CHAPTER TWO
  4. CHAPTER THREE
  5. CHAPTER FOUR
  6. CHAPTER FIVE
  7. CHAPTER SIX
  8. CHAPTER SEVEN
  9. CHAPTER EIGHT
  10. CHAPTER NINE
  11. CHAPTER TEN
  12. CHAPTER ELEVEN
  13. CHAPTER TWELVE
  14. CHAPTER THIRTEEN
  15. CHAPTER FOURTEEN
  16. CHAPTER FIFTEEN
  17. CHAPTER SIXTEEN
  18. CHAPTER SEVENTEEN
  19. CHAPTER EIGHTEEN
  20. CHAPTER NINETEEN
  21. CHAPTER TWENTY
  22. CHAPTER TWENTY-ONE
  23. CHAPTER TWENTY-TWO
  24. CHAPTER TWENTY-THREE
  25. CHAPTER TWENTY-FOUR
  26. CHAPTER TWENTY-FIVE
  27. CHAPTER TWENTY-SIX
  28. CHAPTER TWENTY-SEVEN
  29. CHAPTER TWENTY-EIGHT
  30. CHAPTER TWENTY-NINE
  31. CHAPTER THIRTY
  32. CHAPTER THIRTY-ONE
  33. CHAPTER THIRTY-TWO
  34. CHAPTER THIRTY-THREE
  35. CHAPTER THIRTY-FOUR
  36. CHAPTER THIRTY-FIVE
  37. CHAPTER THIRTY-SIX
  38. CHAPTER THIRTY-SEVEN
  39. CHAPTER THIRTY-EIGHT
  40. CHAPTER THIRTY-NINE
  41. CHAPTER FORTY
  42. CHAPTER FORTY-ONE
  43. EXCERPT FROM
  44. THE POET
  45. PROLOGUE
  46. CHAPTER ONE
  47. CHAPTER TWO
  48. ALSO BY LISA RENEE JONES
  49. ABOUT LISA RENEE JONES

“We didn’t order a stripper.” She smiles and eyes Candace. “I always wanted to say that to someone else. Who are you?”

“Candace—”

“Do you go by Candy Savage? That’s an excellent stripper name.”

“Because Lilah Fucking Love isn’t an excellent stripper name?” I challenge.

Candace laughs. “She’s right, Rick. It really does sound like a stripper name.”

Lilah glances between us and then gives me a deadpan look. “What do you want?”

“I need to reach Kane.”

“I told you on the phone that I’m not his keeper.”

“Just the woman that shares his bed that he’d also kill for?”

“He shares my bed and I’d kill for him,” she corrects. “Which does not make me his business manager.”

“He was supposed to meet me today,” I say. “Call him. Tell him, Savage—”

“I can’t call him. He’s dealing with an unexpected situation. He’ll call you when it’s contained.”

“That’s unacceptable.”

Lilah folds her arms in front of her and just stares at me.

“Tell him,” I add, “to shoot the motherfucker giving him trouble, and call me now.”

“Unlike me, and apparently you, Kane doesn’t just ‘shoot the motherfucker.’ But I will. Especially you.” She smiles like she enjoys the idea. I think she might.

“Okay then,” I say. “Let me tell you a story. Pocher, we both know you know Pocher, wants to kill Candace. He also wants to meet with her at six tonight. Candace is my Lilah. I not only sleep with her, I will kill for her which means that I’ll be killing Pocher tonight at six, and I’ll just let Kane deal with the aftermath. I’m sure the next guy in charge of the Society won’t have a hard-on to kill you the way Pocher does. And even if he does, I’m sure Kane can just chop his brother’s finger off, and make it all better.” I catch Candace’s arm. “Let’s go, baby.” We start to turn.

“Stop.”

I turn back to Lilah and arch a brow. “Yes?”

“You’re a fucking asshole.”

“And you’re a fucking bitch.”

“That’s true. Meet me at Stephanie’s diner in an hour. You found me. I’m sure you’re resourceful enough to find it.”

“I’ll follow the yellow brick road lined with M&M’s.”

“Don’t do anything stupid.” She turns and walks away.

FIND OUT MORE ABOUT THE SAVAGE SERIES HERE:

THE POET

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New York Times bestselling author Lisa Renee Jones brings a fresh, modern take to the thriller genre that will keep you guessing until the very end.

“The poet is a liar who always speaks the truth.” -Jean Cocteau

Some call him friend or boss.

Some call him husband or dad.

Some call him son, even a favorite son.

But the only title that matters to him is the one the media has given him: The Poet.