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Chapters (49)
  1. INDEX
  2. CHAPTER ONE
  3. CHAPTER TWO
  4. CHAPTER THREE
  5. CHAPTER FOUR
  6. CHAPTER FIVE
  7. CHAPTER SIX
  8. CHAPTER SEVEN
  9. CHAPTER EIGHT
  10. CHAPTER NINE
  11. CHAPTER TEN
  12. CHAPTER ELEVEN
  13. CHAPTER TWELVE
  14. CHAPTER THIRTEEN
  15. CHAPTER FOURTEEN
  16. CHAPTER FIFTEEN
  17. CHAPTER SIXTEEN
  18. CHAPTER SEVENTEEN
  19. CHAPTER EIGHTEEN
  20. CHAPTER NINETEEN
  21. CHAPTER TWENTY
  22. CHAPTER TWENTY-ONE
  23. CHAPTER TWENTY-TWO
  24. CHAPTER TWENTY-THREE
  25. CHAPTER TWENTY-FOUR
  26. CHAPTER TWENTY-FIVE
  27. CHAPTER TWENTY-SIX
  28. CHAPTER TWENTY-SEVEN
  29. CHAPTER TWENTY-EIGHT
  30. CHAPTER TWENTY-NINE
  31. CHAPTER THIRTY
  32. CHAPTER THIRTY-ONE
  33. CHAPTER THIRTY-TWO
  34. CHAPTER THIRTY-THREE
  35. CHAPTER THIRTY-FOUR
  36. CHAPTER THIRTY-FIVE
  37. CHAPTER THIRTY-SIX
  38. CHAPTER THIRTY-SEVEN
  39. CHAPTER THIRTY-EIGHT
  40. CHAPTER THIRTY-NINE
  41. CHAPTER FORTY
  42. CHAPTER FORTY-ONE
  43. EXCERPT FROM
  44. THE POET
  45. PROLOGUE
  46. CHAPTER ONE
  47. CHAPTER TWO
  48. ALSO BY LISA RENEE JONES
  49. ABOUT LISA RENEE JONES

“Let me get this straight,” he says, his tone sharp enough to have me throwing away my blanket too while steeling myself for what comes next. “Our friend,” he adds–that’s his way of discreetly referencing Pocher—because he’s a paranoid bastard who thinks everyone is always listening in—“our friend,” he continues, “is alive, you’re engaged to Kane, which by the way I had to find out on my own, and the victim of a murder last night was wearing a wedding dress. And let us not forget that there was a jar of blood with your name on it left at the crime scene. What part of that said wait to call Director Murphy?”

At this point, I’m sitting on the edge of the bed and Kane’s crossed the room to disappear inside the bathroom. “I’ve been working on being more thoughtful, Director,” I comment. “Please. Thank you. Waiting until after Thanksgiving.”

Kane leans back into the room and mouths, “and fuck you, please” before he disappears again.

I’d smile, but Murphy snips that away real quick with a reply of, “What you’re working on is pissing me off all over again. Don’t patronize me.”

“First you’re my boss. That would be a stupid move. And surely you know by now that I don’t patronize. That’s not my thing.”

“Stop talking, Agent Love, unless you plan to say something of consequence.”

“Okay,” I say, angling for a reason. “I’m not solid on what I’m about to say yet, but I have a strong belief that this could be an Umbrella Man copycat or protégé of Roger’s. Not our friend.”

He’s silent three beats before he asks, “Why?”

I don’t immediately answer and not because the line may not be safe. Because every answer I give him, he could counter. Yes, this whole case feels beneath Pocher, and it feels like him asking for trouble he doesn’t need, but with the morning light, I’m clear on one fact: that doesn’t mean he’s innocent. There could be a motivation I’m missing. A distraction he’s creating to keep me and/or Kane from seeing something else. And he could just be driven by his grief to be careless. This entire crime could be driven by grief and anger that I cannot dismiss as a human reaction—yes, even Pocher is human. Maybe. Or a demon. I’m not into that shit, but if I were, he’d be on my demon list. And so, I say quite professionally, “Because my job is to look at all possibilities.”

“There are no coincidences, Agent Love,” he reminds me. “Isn’t that what you always tell me?”