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Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

His reaction surprises her: He laughs.

"The FBI? Please. Don't they have more important things to worry about, like pedophiles, or terrorists? Or pedophilic terrorists?"

Miriam snatches the jeans off his lap, then throws them in his face.

"Hey, don't fuckin' laugh about this, Smiley McGee. Quit with the grins. This is serious. I was at the motel, or the motor lodge, or whatever the fuck they're called, and these two FBI agents walked right up like they could smell the stink of you all over me. Ashley, they had a photo of you."

Ashley's smirk melts away. It's the first time she's really seen him stunned.

"What? My photo? You're serious?"

"Asshole! Yes!"

He chews the inside of his cheek. "What'd they look like?"

"Tall, Dark and Asshole was… well, tall. Italian, maybe. Dark suit. The other one was this mean little woman, this Napoleon in a turtleneck. Adams and… Gallo, I think. Like the cheap wine."

Ashley goes pale. "Shit," he says, quiet-like. His eyes search the room. "Shit!"

He grabs the remote control off the bed and pitches it against the TV. The remote shatters. The TV flicks off – the lesbian porn fading to a bright dot, then to nothing.

"Now maybe do you get the gravity of the situation?"

Ashley grabs her wrists, snarls, "No, you don't get the gravity of the situation. Those two aren't FBI. They're not cops. They're not anybody."

"What? What the hell are you talking about?"

"They're demons, devils, ghosts. They're goddamn thugs. Killers."

"Killers? You're babbling. Stop babbling."

Ashley isn't paying attention anymore. He mind works; she can see it. He starts to pace.

"Grab your shit," he says. He moves to the corner of the room, and he throws aside his duffel bag before lugging out the metal suitcase. Ashley grunts as he hoists it onto the bed.

"This is about the case." She says it matter-of-factly, because she knows it's true.

"Probably." He grabs Miriam's messenger bag from the other side of the bed and slings it at her. She catches it like a football, right in the bread basket. She oofs. "Keys. Give me the keys."

"No."

"Give me the keys to the Mustang. Now."

"Not until you tell me what's going on."

"We don't have the time for this!"

Miriam grits her teeth. "Tell me."

"I swear to God." His hands ball into fists. "You give me those keys right now."

Miriam pulls out the keys, which hang from a fuzzy dyedgreen rabbit's foot.

"These?" she asks. She dangles them in front of him. "Go on. Take them."

He reaches in.

She whips him across the face with them. The keys cut a gash across his forehead. He staggers backward, pressing his forearm to the cut. Pulling his arm down, he sees the blood; an astonished look crosses his face. The second time now that he really looks spooked.

"You cut me," he says.

"Yup. You wanna get grabby again? Unclench those fists, buddy boy, and get to talking. Because if you don't tell me what the hell is going on, I will cut your fucking throat with these keys and stuff the rabbit's foot up your asshole for good luck."