Back Blackbirds Save as PDF
Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

And just past it, she sees the place: Swifty's Tavern.

Neon beer signs glow bright against the storm-tossed, late-night sky. The bar is a bug light, and she is the fly (fat from feeding off death). She makes a bee-line for the place.

Her mouth can taste it already.

Inside, the bar is like the unholy child of a lumberjack and a biker wriggling free from some wretched womb. Dark wood. Animal heads. Chrome rims. Concrete floor.

"An oasis," Miriam says out loud.

The place isn't busy. A few truckers sit at a table, playing cards around a foamy pitcher. Bikers mill around a lone pool table toward the back. Flies orbit a mess of old cheese fries that have dried into a shellacked mound to the left of the door. Iron Butterfly growls from the jukebox. Inna Gadda Da BlahBlah, Baby.

She sees the bar, its edges bordered with heavy gauge chain.

It will be her home, she decides, until they evict her.

She tells the bartender, who looks like a pile of uncooked Pillsbury dough stuffed into a dirty black T-shirt, that she needs a drink.

"Fifteen minutes until close," he mumbles, and then adds: "Little girl."

"Cut the 'little girl' shit, paleface. If I only have fifteen minutes, then I want whiskey. Your cheapest and shittiest. Think lighter fluid mixed with coyote piss. And you can put a shot glass down, but if you're amenable to it, then I'd damn sure like to pour my own."

He stares at her for untold seconds, then finally shrugs. "Sure. Whatever."

Paleface plunks down what might have once been a plastic jug for antifreeze, and from the look of the murky whiskey within, antifreeze might be the healthier choice. He waves away a haze of gnats. They're probably getting high off the vapors.

He uncaps it. He leans back coughing, and rubs his eyes. The smell – or, really, the sensation – hits Miriam a few seconds later.

"It feels like someone is pissing in my eyes," she says. "And up my nose."

"Buddy of mine across the Tennessee border makes it. He uses old oil drums instead of oak barrels. He calls it bourbon, but I dunno."

"And it's cheap?"

"Nobody'll ever drink it. Whole jug'll go to you for five bucks, you want it."

It smells like it'd burn barnacles off a boat hull; she can't imagine what it will do to her insides. She needs that. She needs to purge. She slaps down a five-spot, and then taps the bar.

"Then all I need is the glass."

Paleface thunks a shot glass next to the fiver, then grabs the money with a greasy hand.

Miriam takes the antifreeze jug and tops off the glass. Liquid spills on the bar, and she's surprised it doesn't eat through the lacquer.

She stares into the muddy whiskey. Flecks of something float at the top. But something else floats to the top, too: Louis. His face. Two ruined eyes. A mouth moaning her name.