Back Blackbirds Save as PDF
Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

Miriam nods. "Nice truck. The Tetanus Express."

"It's my dad's," Blondie says, coming right up on her as cars continue to pass. Squats – that's how she thinks of the other one – trundles up behind her.

"It's a real nice ride," she says.

"You need a ride?" Squats asks from behind her. His tone isn't friendly.

"Nah," she says. "I'm just out here flippin' the bird to pass the time."

"You're a Yankee," Blondie says. Ironic, because he doesn't have much of the Southern pluck to his voice. Those icy eyes roam all over her. "A cute Yankee."

Miriam massages her temples. She thinks for a moment about indulging these two frat-tards in some clever roadside banter, but the truth is, she's damp, she's tired, and the blacked eye is really starting to pound.

"Listen. I know how this goes. You two boys think you're going to 'get some.' Maybe tag me at both ends, maybe just push me around, maybe see if I have any money. I get it. Like any good scavenger, I know predators when I see them. You know what, though? I just don't have the time. I'm fucking tired, for real. So. Get back in your lockjaw jalopy, and head back to the highway from whence you came."

Blondie steps up on her. He doesn't touch her, but he's noseto-nose.

"I like the way you use your mouth," he leers.

"Last warning," she says. "You see the black eye, and you think I'm good to go, but sometimes a girl lets herself get hit for all kinds of complicated reasons. I won't let that happen again tonight. You picking up what I'm putting down?"

Apparently not, because Squats puts his sausage fingers on her hips.

Miriam reacts.

Her head snaps back, pops Squats's nose –

Squats is in his fifties now, fatter than ever, his nose one big gin blossom, and he's yelling at some woman in a yellow dress, and sweat is beading on his brow, and flecks of spit are flying out of his mouth, and suddenly he plants his fat hand on the kitchen counter as the heart attack tightens the left half of his body and turns his every nerve ending into a roadmap of pain.

– and he howls, and Miriam thinks to turn up the volume by reaching back and gripping his crotch in a crushing claw. Blondie's taken aback, but she knows she doesn't have long. She spits in his eye, which buys her another second, so she uses her free hand to punch him once, then twice in the throat –

The cancer is eating him up, juicing his bowels into a tumor-squeezed mess, but he's old, at least in his late seventies, and he lies there surrounded by the boops and beeps and blips of hospital equipment, and he's got his family there. A young boy grips his hand. An old woman bends down to kiss his forehead. A woman in her forties with her blonde hair pulled tight and a peaceful look on her face pats him on the chest once, then twice, and that's it – the old man cries out, shits blood, and dies.