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Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

Miriam closes her eyes. She feels the anger rising in her, still.

"And then I met the cunt."

Paul blanches.

"What?" she asks. "You don't like that word?"

"It's just… a harsh word."

"Harsh word for harsh times, Paul. Don't be a girl about it. In England, they say it all the time. It's just part of the language."

"We're not in England."

"No shit?" Miriam snaps her fingers. "I guess I'd better stop driving on the left side of the road, then. Explains all the honking. And the fatal car crashes."

Paul's mouth forms a grim line. "So you met some… woman."

"Austin's bitchy cunt whore mother. Twat bitch axe wound prostitute witch. She's got her designer handbag, her Botox-paralyzed smile, her hair pulled back so tight she can't fucking blink without tearing her eyelids off, her little cell phone Bluetooth robot antenna shoved up into her ear or her ass or whatever. I went up to her and I said, 'Lady, I need your help. Your kid. He's going to die soon unless you help me save him.'"

"How'd she react?" Paul asks.

"I'm going to go with 'not well' for $200, Alex."

"I think it'd actually be, 'What is, not well.' Because it's Jeopardy."

Miriam takes a last drag of the Marlboro and chain-lights another off the cherry. "You really know how to take the energy out of a story, Paul."

"Sorry."

"Twat-cunt looked at me like I just took a piss on her complete set of Sex and the City DVDs, so I went ahead and repeated myself. The woman mumbled something at me about being crazy, and I reached over to grab her arm – I got a hold of her shirt, not her skin – and she didn't like that very much.

"Fast-forward twenty minutes, and I'm yelling at the cop, she's yelling at me, the cop is just trying to make sense of everything–"

"Wait. Cop?" Paul asks.

"Yes, Paul, the cop. I said we were fast-forwarding twenty minutes, c'mon. Catch up. She marched outside and called the police, said some crazy lady was threatening her son."

"And you didn't run?"

Miriam flicks ash at Paul; he blinks it away.

"No, remember? I was trying to save the kid's life? I figured a cop on the scene could only help, not hurt. Maybe he'd drag us all downtown, which would solve the problem right out of the gate. I wasn't just going to… leave the scene, let it all happen."

Her hand tightens into a fist, and she pops her knuckles.

"But I should've. I should've run away. Because while we were all standing there yelling at one another outside a fucking Wendy's, Austin saw a penny on the ground. Even now, I can hear his voice play out, but at the time I wasn't giving it any thought, you know? I was so caught up in giving his stupid goddamn mother a piece of my goddamn mind that I didn't really register what was happening.