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Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

"Mrs. Gaynes. Your son. I'd hate to think you're impeding our investigation. We are trying to help him, you know. We're trying to protect him from some very bad people."

The old woman's lip quivers. Her brows darken.

"You leave him alone," she hisses. "He's a good boy. He sends me money."

"Money. How much money?"

"Enough for my treatments."

"Do you know anything about a suitcase? A metal suitcase?"

Fidgeting with the oxygen tube, Mrs. Gaynes shakes her head no.

Harriet finally moves. She doesn't move swiftly; she simply approaches and enters the woman's personal space. Her knees nearly touch the oxygen tank. Harriet folds her hands in front of her.

"I see you're on oxygen," she says.

"I told you, emphysema. Got it from smoking. Most of my lung capacity is gone. Got about twenty percent left, the doctors say. You can't get it back, they say. Damn doctors."

"You need the oxygen to breathe."

Mrs. Gaynes picks at the fraying edges of the blanket across her lap. "That's the idea." The words come out sarcastic and bitter.

"Interesting fact about oxygen," Harriet says, "as I'm sure you're aware from the many warnings on the tank and nozzle–"

Harriet pulls out a Zippo lighter with a paw print painted onto the metal.

"– is that it's flammable."

Frankie moans. "I'm going to go make some tea or something." Harriet's okay with this. She doesn't need Frankie for this kind of thing. This is her thing, not his. They both have their niches. Still, sometimes she wonders: Is he losing the taste for this work? Does he really have the stomach for it?

As Frankie exits the room, Mrs. Gaynes remains transfixed by the lighter.

"You're not FBI," the old woman hisses, watching her reflection in the chrome.

"I should clarify," Harriet says. "Oxygen is not exactly flammable. Technically, it's considered an accelerant. That's how fire burns – it feeds on oxygen. It helps flame to spread quickly and efficiently. The problem with the air around us is that the oxygen is diluted. But what you're breathing is the real deal. Incredibly pure. Perfectly concentrated."

"Please," the old woman says.

Harriet's face shows no emotion, but inside, her heart is a leaping gazelle. This is her favorite part of the job. It is a small pulsing center of warmth inside her mind.

"Were I to light a lighter," Harriet continues, "the presence of the tank and the precious oxygen whispering from the tube would help the flame sweep over your frail, withered body. Have you ever seen someone set aflame?"

"My son–"

"Forget him. Think of yourself. I was… on-scene at a car fire. A woman and her husband sat trapped in the car, held fast by crumpled metal and melting seat belts. It was not a quick death. All that screaming. All that thrashing about. Such movement only helps to churn in more oxygen and give the fire more meat for its ragged teeth."

Mrs. Gaynes sobs silently as Harriet pops the tubes from the old woman's nose. From the end of the tubes come a faint susurration: fsssssssss, the sound of something once life-giving, now potentially deadly. Harriet brings the lighter close, pops it, massages it with her thumb.