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Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

It was not a thing that I thought very hard about – from the beginning the protagonist was always a woman. It just seemed that's what the tale demanded. Not sure why. Eventually her being a woman figured into it in greater ways – having a miscarriage is not something a man will ever experience.

(Actually, that miscarriage is another one of those story events that came screaming out of a real-life event. I was at a friend's college and one morning in the girls' bathroom, the floor was covered in dark clotting blood and, true or not, the rumor went around that a girl got really wasted and had a miscarriage right there in the bathroom. Grim business, but the fiction writer's mind is a sponge for such horror.)

It's odd only when I think about it that these books showcase the stories of women, whether it's Miriam and her mother, Harriet and her husband, Mrs. Gaynes and her troubled son. But it wasn't odd when writing them: it just felt like that's the story I wanted to tell and these are the connections buried within.

The other thing I love is that you're very careful to leave out as much as you put in to the story – we have glimpses of Miriam's childhood (shades of Stephen King's Carrie there!), Ingersoll's heritage, and other hints of the magical and perhaps supernatural. But, crucially, these thing only add to the mystery. What do you think the source of Miriam's power is? We've got psychics and bone readers – what else exists in the world?

The source is trauma, I think. Sometimes bad things happen and those bad things unlock other bad things – like letting a monster out of its cage. Miriam almost died and had her baby die and that leaves a very potent psychic scar. You become an antenna that broadcasts pain, yes, but you also receive that terrible frequency from others.

That aspect leaves room for other psychic abilities to exist in Miriam's world. I think her ability is singular (in that no one else can see what she can see), but I suspect that others with different abilities of the mind await. In fact, I'm just being coy. I know they do. You should get a gander at Mockingbird.

As to whether or not this world contains vampires, ghouls, werewolves, zombies – no, I don't see that happening.

That said, Miriam's visions and dreams provide an interesting question. What is it that's talking to her? Is it a ghost? The ghost of her unborn child? Is it some strange spirit of fate or free will, some entity from beyond the veil? Or is it her own active imagination, her psychic will given persona? I think I know the answer, but I'm not telling. Not yet.

The biggest mystery is perhaps unveiled when Miriam visits the psychic – this is a pivotal moment for the character, and suddenly the story drops into some very weird territory indeed. Is Miriam's past and the nature of her power – and what may lie within her – something we'r going to follow in Mockingbird?